Arab and early Persian painting and the arts of the Islamic book in general, including the production of manuscripts of the Qur'an; art and material culture of the Islamic world; Fatimid art and architecture; the arts of Islamic Spain; artistic contacts between the Islamic World and Europe; aspects of contemporary Islamic art.
Modern and contemporary art and critical theory; Southeast Asian art history and visual studies (expertise in Vietnam and Cambodia); urban studies; postcolonial studies; theories of subjectivity, space, diaspora, transnationalism, intermedia and aesthetics.
Modern and contemporary arts of Africa, including its histories of photography; visual and material cultures of West Africa, and their linkages to diasporic arts past and present; the arts of the Benin kingdom, masquerade, textiles and other art forms in southern Nigeria, as well as a particular focus on contemporary arts in Nigeria.
Visual and material culture of the Korean peninsula; Pre-modern Korean burial practices, particularly of the Koryŏ period (AD918-1392); Arts of the Koryŏ period, especially bronze mirrors and ceramics; 20th century collecting of Korean artefacts; Heritage and museum practices; Gender and material culture.
History of Art and Archaeology of China and the Silk Road, Chinese culture of the Bronze Age and the Han to Tang period; early Buddhist art; art and technology in China, Chinese heritage, comparative art history
Southeast Asian arts, aesthetics, literatures and cultural histories, with a focus on Cambodia, from the Angkorian to the post-Angkorian to the contemporary; Theravadin Buddhist arts, literatures and ritual; cultural heritage; sexual difference; deconstruction; memory and textuality.
Pratapaditya Pal Senior Lecturer in Curating and Museology of Asian Art
Chinese and Buddhist art in museums; history of Yuanmingyuan (or ‘Summer Palace’) collections; museology; colonialism and material culture; post-colonial critiques of museum representations; history and theory of collecting; art and anthropology.
Contemporary art and curatorial strategies in twentieth and twenty-first century Africa, Brazil and the Caribbean; post-independence visual arts in Angola, Madagascar and Haiti; post-colonial critique and trans-national exhibition practice.
He is now focusing on the evidence in Indochina for the influence of tantric or esoteric Buddhism, developed in the great monasteries of the Ganges valley and diffused and developed in different ways through much of Asia.
History of Art & Architecture of the Muslim World, focusing on Mughal South Asia; Artistic, historic and cultural links between 17th Century Muslim South Asia and Iran, Anatolia and Europe; urbanism in Mughal South Asia.