- Course Code:
- Unit value:
- Year of study:
- Year 3
- Taught in:
- Term 2
Objectives and learning outcomes of the course
At the end of a course, a student should be able to demonstrate . . .
- an advanced level of understanding of literary and critical representations of land, literature, and history in South Africa, Australia and the Indian Ocean (particularly Sri Lanka)
- the ability to undertake independent research and complete it successfully
- an advanced level of expression of his/her views both orally and in written form
This course will be taught over 10 weeks with a 2 hour seminars/tutorials and 2 hours essay tutorials, research skills, library excursions and film screenings classroom contact per week.
Scope and syllabus
This course takes its name from a London conference that led to the landmark publication, Text, Theory, Space, edited by Kate Darian-Smith, Liz Gunner and Sarah Nuttall in 1996. Focussing on land, literature and history in South Africa and Australia, and hosted by SOAS and the Sir Robert Menzies Centre for Australian Studies in 1993, the conference aimed to look at the similarities of these two ‘settler sites’ from different disciplines and included a contribution from the spatial historian Paul Carter whose seminal work, The Road to Botany Bay, is also seminal to this course. Taking these two critical works as a starting point, together with J. M. Coetzee’s White Writing, the course consider issues of landscape, travel, and textuality in prose from South Africa and Australia, as well as the Indian Ocean more widely: in particular there will be a focus on Ceylon as an imperial outpost and the literary output in present-day Sri Lanka. Examining ideas of ‘networks of empire’, the course will consider questions of ownership and belonging, cultural identity and issues of migration, in relation to landscape as well as coastlines. The course is suitable for students of anglophone literature, history and geography.
Method of assessment
One 1,500 - 2,000 word essay to be submitted on day 5, week 5, of the term in which the course is taught (20%); one 3,500 - 4,000 word essay to be submitted on day 5, week 11, of the term in which the course is taught (70%); class participation and presentation (10%).
Primary Texts will include extracts from archival/colonial material relevant to our critical readings and may include the following contemporary prose works:
- J. M. Coetzee, Scenes from Provincial Life
- Zoë Wicomb, October (forthcoming)
- Bruce Chatwin, Songlines
- Sven Lindqvist, Terra Nullius: A Journey Through No One’s Land
- Doris Pilkington, Follow the Rabbit-Proof Fence
- Christopher Ondaatje, Woolf in Ceylon
- Michael Ondaatje, Running in the Family
- Romesh Gunesekera, Reef
- Sea Point Days
- No Worries
- The First Australians
- Rabbit-Proof Fence
- The Song of Ceylon
Rita Barnard, Apartheid and Beyond: South African Writers and the Politics of Place (Oxford: Oxford University Press, 2007).
Alison Blunt and Gillian Rose (eds), Writing Women and Space: Colonial and Postcolonial Geographies (New York: The Guilford Press, 1994).
Paul Carter, The Road to Botany Bay: An Exploration of Landscape and History (Chicago: University of Chicago Press, 1987).
J. M. Coetzee, White Writing: On the Culture of Letters in South Africa (New Haven & London: Yale University Press, 1988).
Kate Darian-Smith, Liz Gunner and Sarah Nuttall (eds), Text, Theory, Space: Land, Literature and History in South Africa and Australia (London: Routledge, 1996).
James S. Duncan, The City as Text: The Politics of Landscape Interpretation in the Kandyan Kingdom (Cambridge: Cambridge University Press, 1990).
James S. Duncan and Derek Gregory (eds), Writes of Passage: Reading Travel Writing (London and New York: Routledge, 1999).
Richard H. Grove, Green Imperialism: Colonial Expansion, Tropical Island Edens and the Origins of Environmentalism, 1600-1860 (Cambridge: Cambridge University Press, 1995).
Catherine Hall (eds), Cultures of Empire: Colonizers in Britain and the Empire in the Nineteenth and Twentieth Centuries (Manchester: University of Manchester Press, 2000).
Jeanette Horn, Australian Pastoral: The Making of a White Landscape (Fremantle: Fremantle Press, 2007).
Graham Huggan, Extreme Pursuits: Travel/Writing in an Age of Globalization (Ann Arbor, MI: University of Michigan Press, 2009).
David Killingray et al, Maritime Empires: British Imperial Maritime Trade in the Nineteenth Century (Woodbridge, Suffolk: The Boydell Press, 2004).
Sue Kossew, Writing Woman, Writing Place: Contemporary Australian and South African Fiction [Routledge Research in Postcolonial Literatures], (London and New York: Routledge, 2004).
Allan Lester, Imperial Networks: Creating Identities in Nineteenth-Century South Africa and Britain (London and New York: Routledge, 2001).
Kirsten McKenzie, Scandal in the Colonies: Sydney & Cape Town, 1820-1850 (Melbourne: Melbourne University Press, 2004).
W. J. T. Mitchell, Landscape and Power, 2nd ed. (Chicago: University of Chicago Press, 2002).
Miles Ogborn, Indian Ink: Script and Printmaking in the English East India Company (Chicago: University of Chicago Press, 2008).
Minoli Salgado, Writing Sri Lanka: Literature, Resistance and the Politics of Place [Routledge Research in Postcolonial Literatures] (London and New York: Routledge, 2007).
Kay Schaffer, In the Wake of First Contact: The Eliza Fraser Stories (Cambridge: Cambridge University Press, 1995).
Carl Thompson, Travel Writing [The New Critical Idiom] (London: Routledge, 2011).
Kerry Ward, Networks of Empire: Forced Migration in the Dutch East India Company (Cambridge: Cambridge University Press, 2009).