SOAS LITERARY REVIEW
(3), Spring 2002
Contents
Introduction
This issue of SOAS Literary Review is
based on a selection of papers presented at a postgraduate
conference held at SOAS on 13-14 September 1999 entitled
'Textual Space: the Geographies of Modern Literatures in
Africa, Asia and the Middle East'.
The intention was to group together these
literatures in a context that would lead us to consider
the relation of geography to literature and debate what
might be meant by the term 'literary geography'. This term,
used by Franco Moretti in his Atlas of the European Novel
1800-1900 (1998) opens up rich possibilities for the investigation
of space as a category in literary analysis.
The concept of 'space' and its relation
to literature has generally been considered in abstract
or external terms; abstract, as in postcolonial discourse,
which whilst being informed by its awareness of the geopolitical
division of the globe has focused primarily on such notions
as 'centre' and 'periphery'; external in the sense that
'space' or 'social space' has been for the most part seen
as a 'given' within which literary production is carried
out and which therefore determines it. Whilst not wishing
to argue that social space does not determine literary production,
this conference intended to look at the spaces within the
literary text in order to appreciate 'literary geography'
as a process through which social agents construct and contest
their sense of place.
Not only does literature help to consolidate
particular senses of place but it also helps to challenge
established notions of space and articulates new ones. In
an institution like SOAS it is almost impossible not to
be aware of the impact of space upon our thinking. It provides
a concrete example of the relations between space and cultural
or intellectual production. The structure of the languages
and cultures departments, hived off as they are from each
other, makes cross-regional research difficult and 'classifies'
cultural production according to certain prevailing notions
of global space - South Asia, Africa, Middle East, East
and South East Asia. The idea for the conference emerged
out of an attempt by a group of literature research students
to bridge these disparate and institutionalized spaces.
Only in so doing did we become aware that it was the institutional
space of SOAS itself that narrowed our vision within delimited
and permissible boundaries, thereby circumscribing cross-regional
dialogue and debate.
Moreover, it is significant that it was
literature students who made this break. At the time of
the conference literature at SOAS was a discipline without
an abode, no department to call ‘home’, and thus, like all
itinerants, we found ourselves comparing and contrasting
our homelessness, as it were, with others, questioning their
homeliness in the process. Since then, the AHRB Centre for
the Study of the Literatures of Asia and Africa was established
at SOAS jointly with UCL in part to address this issue.
The positive response to our call for papers confirmed that
there was indeed interest in addressing such questions.
To discover so many research students engaged in this field
was promising. However it is also noteworthy that interest
seemed to be accentuated amongst those studying the literatures
of Africa and the Middle East. There were far fewer submissions
from those engaged with South Asia and none at all from
East and South East Asia.
'Textual Space' proved to be a highly
successful conference attended by over 60 delegates from
10 countries, with papers delivered by research students
from a number of institutions across the UK and Europe.
Papers were grouped in panels that were organised thematically
around the various representations of space in modern literatures:
'Lines of Control', 'Exile and Diaspora', 'Sites of Expression'
and 'Imaging the Land'. One of the highlights of the conference
was a session that brought together four internationally
renowned novelists - Romesh Gunusekera, Abdulrazak Gurnah,
Hanan al-Shaykh and Yvonne Vera who read from their work.
It emerged during the conference that one way to expand
on the idea of 'textual space' in interdisciplinary terms
would be to address the work of geographers that engages
with literary texts.
We would like to thank the people who
agreed to put their papers forward for publication in this
special issue of SOAS Literary Review. We feel that this
selection is representative of the range of ideas that were
generated by the conference. Alexander Moore challenges
the simplistic adaptation of spatial analysis in much of
postcolonial studies, arguing for a return to its basis
in philosophy and geography. Moore is not arguing against
the overlapping of disciplines, but rather calls for a greater
specificity in what we mean by 'space'.
Taking the theme of the conference as
a starting point, he examines, through the works of Homi
Bhabha and Edward Said, the deployment of space as a critical
category Controversially, the fiction of Amos Tutuola is
seen as spanning the problematic and contrived gap between
pre-colonial oral and post-colonial literary cultures in
Africa. In his analysis of Tutuola's My Life in the Bush
of Ghosts, David Whittaker addresses this issue by tracing
the influences on Tutuola's writing and reassessing its
relevance within contemporary debates of liminality and
identity. With reference to two Indian novels, Seth's A
Suitable Boy and Renu's Hindi novel, Maila anchal, Angela
Atkins writes on the representation of agrarian space during
the upheaval caused by the land reforms of the early 1950s.
Her examination explores the effect of narrative form and
readership on the depictions of rural north India.
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