Dr Nick Gray
Associate Head of Department
Senior Lecturer in the Music of South East Asia
Academic Staff, Centre of South East Asian Studies
- Dr Nick Gray
- Email address:
- +44(0) 20 7898 4686
- +44(0) 20 7898 4699
- SOAS, University of London
Thornhaugh Street, Russell Square, London WC1H 0XG
- Russell Square: College Buildings
- Office No:
- Office Hours:
- Mondays 1-3pm
Popular and fusion music in South East Asia.
- Aspects of Music and Religion in South East Asia
- Global Pop
- Introduction to Music Analysis
- Music and Religion in South East Asia
- Performance As Research
- Performance Theory
- Popular and Fusion Music in South East Asia (PG)
- Popular and Fusion Music in South East Asia (UG)
- Sounds and Cultures 2: East, Southeast and South Asia
PhD Students supervised
"The Watchers by the Well"
by Tim Jones (storyteller) and Segara Madu (Balinese gendér wayang group: Paula Friar, Rachel Hewitt and Nick Gray).
1st November 2014, Brunei Gallery Lecture Theatre, SOAS, University of London, part of the SEA ArtsFest 2014 (www.seaartsfest.org).
Segara Madu blends Balinese instruments with violin and electronics in this retelling of "The Watchers by the Well", a folk-tale from the English-Welsh borders collected by Ruth L. Tongue (1970:110-16).
Gendér wayang is the name given to a small quartet or duo of bronze metallophones, used in Bali to accompany the shadow play (wayang kulit), a sacred drama based on stories from ancient Indian epics.
1) Three Balinese gendér wayang pieces taught by I Wayan Locéng in Sukawati village in south Bali:
2) "The Watchers by the Well" (music by Nick Gray): a story with music. Includes an excerpt from "The Prayer of Protection" (traditional English, transcribed in Tongue 1967: 99) and from "Oxford City" (traditional English; a version can be found in Vaughan Williams and Lloyd 1959: 83).
3) "Sekar Sungsang" A Balinese gendér wayang piece taught by I Nyoman Gunawan and I Wayan Mudita in Tenganan village, east Bali.
- Ruth L. Tongue (1970) Forgotten folk-tales of the English counties. London: Routledge & Kegan Paul.
- Ruth L. Tongue (1967) The Chime Child or Somerset singers: being an account of some of them and their songs collected over sixty years. London: Routledge & Kegan Paul.
- Ralph Vaughan Williams and A. L. Lloyd, eds. (1959) The Penguin book of English folk songs. London: Penguin Books Ltd.
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- South East Asia
Gray, Nicholas (2011) Improvisation and composition in Balinese gendér wayang: music of the moving shadows. Farnham, Surrey: Ashgate Publishing Limited. (SOAS Musicology Series)
Gray, Nicholas (2015) '"Sudamala" (freed from evil): exploring a ritual piece for Balinese gendér wayang.' In: Harris, Rachel and Pease, Rowan, (eds.), Pieces of the musical world: sounds and cultures. New York; London: Routledge, pp. 154-167.
Gray, Nick (2013) 'Reflections on composing for Balinese gendér wayang: The Birth of Kala.' Analytical Approaches to World Music, 2 (2). pp. 100-147.
Gray, Nick (2010) 'Of one family? Improvisation, variation and composition in Balinese gendér wayang.' Ethnomusicology, 54 (2). pp. 224-256.
Gray, Nick (1992) 'Sulendra: an example of petegak in the Balinese gender wayang repertory.' British Journal of Ethnomusicology, 1 . pp. 1-16.
Gray, Nick (1990) 'An introduction to the Sukawati style of Balinese gender wayang.' Indonesia Circle, 18 (52). pp. 45-54.
Gray, Nick (2012) The Birth of Kala - a Balinese tale. [Performances]
Gray, Nicholas (2014) "The Watchers by the Well". [Compositions] (Submitted)
Gray, Nick (2012) The Birth of Kala. [Compositions]