Digital Humanities - Pathways to the future

Key information

Date
Time
9:00 am to 5:00 pm
Venue
SOAS
Event type
Conference

About this event

The Digital Humanities have grown in prominence in recent years, as digital technologies have been woven ever deeper into the fabric of human life.

Be it through imaging, archiving, communicating or simply exploring the intersection of the human with the digital, Digital Humanities now comprise an expanding array of research topics and themes of crucial importance. Keio University and the College of Humanities at SOAS are therefore proud to celebrate the launch of a new collaboration in the research and teaching of digital humanities across our two institutions, starting with a series of symposia, of which this is the first.

This symposium explores how digital technologies intersect with identity, creativity, and community. Presenters investigate online queer politics in India, digital promotion of music scenes in Shanghai, and fanfiction as a literary counterculture. It also features a panel devoted to Japanese digital culture, examining the creative potential of vocal synthesis in Japan and the role of algorithms in environmental music.

Speakers will also focus on the methodological and historical dimensions of digital humanities. They assess digital tools for examining rhetoric in text corpora, the use of AI chatbots in ethnomusicology, and the role of quantitative methods for studying online platforms. Finally, one panel explores how digital practices expand—yet also challenge—our understanding of culture, memory, and the production of knowledge, looking at the role of digital media and technologies in storytelling digital difficult histories and political art.

Image: Ales Nesetril via Unsplash.

Programme

TimeEvent
9:00am-9:30am

Pastries and coffee

Location: B103 (Brunei Gallery)

9:30am-9:45am

Opening remarks by Professor Motohiro Tsuchiya (Vice-President for Global Engagement, Keio University)

Location: Room B103

9:45am-10:50am

Panel 1: Online Community and Identity

Location: Room B103 

Facilitator: Professor Satoko Tokunaga (Keio University)

 
  • Tanvi Kanchan (SOAS): “Instagram is like a karela”: Transnational digital queer politics and online censorship and surveillance in India
  • Mick Vierbergen (Hong Kong Baptist University): Negotiating Underground Status through Hybrid Visibilities: WeChat Event Promotion in Shanghai Music and Performance Scenes
  • Lilly Clausen (SOAS): Fandom on Internet Archives: Fanfiction as Literary Counterculture
10:55am-12:00pm

Panel 2: Digital culture and Japan

Location: B103

Facilitator: Professor Mari Agata (Keio University)

 
  • April Wei-West (SOAS): Material voices in a digital world: creative practices of Japanese vocal synthesis
  • Declan Prout (SOAS): Logging In from the Other Side: The Spectral Transition to Japan’s Digital Age 
  • Matthew James Stefanyszyn: “Time to Feed the Algorithm”: Platforms and ‘Vibe’ in Japanese Environmental Music 
12:00pm-1:30pm 

Lunch (Vegan options provided)

Location: SG32 (Paul Webley Wing, Senate House)

1:30pm-2:35pm

Panel 3: Digital Methods

Location: Djam Lecture Theatre (DLT) 

Facilitator: Professor Kiyonori Nagasaki (Keio University)

 
  • Mandar Marathe (SOAS): The BALAGHA Score: A Digital Humanities Approach to Assessing Arabic Rhetoric 
  • Luca Proietti (SOAS): AI-Powered Chatbots in Ethnomusicology: A Research Experiment 
  • Dr Marcus Gilroy-Ware (SOAS): Returning to Culture? The Limits of Quantitative Methods for the Study of Digital Platforms (late addition)
2:35pm-2:50pm

Coffee

Location: Djam Lecture Theatre (DLT)

2:50pm-4:15pm

Panel 4 Shaping Knowledge and/of History through Digital Technologies

Location: Djam Lecture Theatre (DLT)

Facilitator: Tanvi Kanchan (SOAS)

 
  • Marie Rodet (SOAS) & Max Musau: Gamifying Difficult Pasts: Exploring Kenya Slavery History through Digital Humanities
  • Craig Ryder (SOAS): Hacking data and democracy: investigating the relationship between social media data and Sri Lankan democracy 
  • Ksenia Basmanova (Keio University): The Ways of Digitizing: Cataloging Contemporary Feminist Art in Japan 
  • Charlotte Schuitenmaker (SOAS): Indigenous Agency through Digital Oral Storytelling in Australia
4:15pm-4:30pmBreak
4:30pm-5:00pm

Closing remarks - Humanities Staff

Location: Djam Lecture Theatre (DLT)