Arjmand Aziz Ahmad
Contemporary Indigenous Australian art and private display histories in London
- Email: 556328@soas.ac.uk
Department of the History of Art and Archaeology, School of Arts
History of Art & Archaeology Research Students
Helena Cantone
Decolonising the Visual Archive of Salvatore Fiume (1915-1997): Italian Encounters with Postcolonial Africa
- Email: 102961@soas.ac.uk
Ivy Chan
Collecting Chinese Art in Hong Kong during the 20th Century: Appropriation and Location
- Email: 544789@soas.ac.uk
Chih-En Chen
The Origin, Development and Classification of Trompe L’oeil Porcelain in High Qing China
- Email: 656581@soas.ac.uk
Jasdip Singh Dhillon
Changes beyond the surface: Tracking the relationship between paper-making and human change in the Indus river basin region from 1000-1947 through a study of historical paper specimens
- Email: 177440@soas.ac.uk
Ayesha Fuentes
On the use of human remains in Tibetan ritual objects
- Email: 642377@soas.ac.uk
Ai Fukunaga
A Different Type of Tea? British Collecting of Ceramics for Tea gatherings from Meiji Japan: the British Museum and Maidstone Museum Collections
- Email: 632812@soas.ac.uk
Helen Glaister
Collecting in Public and Private: The Ionides Collection of Chinese Export Porcelain, 1920-1970
- Email: 108095@soas.ac.uk
Vivek Gupta
Wonder Reoriented: Manuscripts and Experience in Islamicate Societies of South Asia (ca. 1450--1600)
- Email: vivek_gupta@soas.ac.uk
Shiori Hiraki
Onari: Art, Ritual and Power in Early Modern Japan
- Email: 634937@soas.ac.uk
Udomluck Hoontrakul
The Development of Political Economy and Social Formation of the Marginal Polities on the Salween River Basin, Northwestern Thailand During the first millennium CE to the mid-second millennium CE
- Email: 630498@soas.ac.uk
Elizabeth Kelly
A Study of the Zoomorphic Incense Burners of Medieval Khurasan
- Email: 561947@soas.ac.uk
Yijin Kim
Art for the people and democracy: Socio-political Art Movements in Japan from the 1920s to the early 1930s
Pipad Krajaejun
Deconstructing the Historical Metanarrative of Thai Art and Archaeology: The Emergence of Artistic Styles in the Pre-Ayutthaya Period, or ‘Uthong Art,’ during the Thirteenth and Fourteenth Centuries
- Email: 634173@soas.ac.uk
Phyllis Sy Lau-Casson
Revisiting the 'Prakhon Chai' Hoard, an enigmatic group of bronzes that came to light in current-day Northeast Thailand in mid-1960s
- Email: 614097@soas.ac.uk
Xiaoxin Li
Rethinking Guang shi jia ju (Cantonese style furniture): A Design History of Mid 18th Century to early 20th Century
Chun-I Lin
Ceramic Tomb Figurines in the Chang’an Area from the 4th to the 7th Century: A Critical Study of Classification, Origins and Functions
- Email: 543448@soas.ac.uk
Vera Mey
Signs of a region: in search of the aesthetic imagination of Southeast Asia after 1948 (working title)
- Email: 642375@soas.ac.uk
Hoang Huong Duyen Nguyen
Issues in the curation of Champa art in Vietnam: On stylistic chronology, museum identity and object authenticity
- Email: 615371@soas.ac.uk
Agneta Niklasson
Tracing Visual Evidence of Esoteric Buddhism in the Sculptures of Swat, Gilgit and Kashmir in the mid-6th to the mid-9th century
- Email: 605990@soas.ac.uk
Maeve Nolan
Early Silk Road photography: A case study of how and why Dr. Maynard Owen Williams, Litt. D. (1888-1963) photographed the Silk Road during the Citroen-Haardt Trans-Asiatic Expedition (1931-1932)
- Email: 253519@soas.ac.uk
Alexandre Claude Ouairy
Hidden in Plain Sight: Contemporary Art Practices of Resistance in China, 2007-2018.
- Email: 676233@soas.ac.uk
A Ram Park
A Comparative Study of Women's Buddhist Patronage in Joseon Korea and Edo Japan
- Email: 657195@soas.ac.uk
Kasia Ploskonka
Contesting convention: Contemporary art within the political landscape of post-Soviet Central Asia
- Email: Kasia_Ploskonka@soas.ac.uk
Elizabeth Reid
An investigation into the meaning and significance of the exhibitions of Chinese art at the Whitechapel Art Gallery between 1901 and 1934
- Email: 622349@soas.ac.uk
Jess SON
Visual Representations of the Korean Nation State in the 1880s-1910s
Sonetra Seng
Beyond the Masterpiece: Function and Design of Divine Adornment in Angkorian Cambodia (9th-14th c.).
- Email: 664859@soas.ac.uk
Aisha Stoby
Art Movements their regional Cross-Currents in the GCC (Working Title)
- Email: A_Stoby@soas.ac.uk
Saw Tun Lin
The significance of glazed ceramics in the economic life and trade networks of the Buddhist kingdoms of Myanmar in the 14th to 18th century
- Email: 615596@soas.ac.uk
Nicole Valentova
Art as a Tool: Comparative Study of the Centralisation and Manipulation of the Art Scene in Japan in the 1900s and in Korea in the 1920s
- Email: 565757@soas.ac.uk
Yuet Heng (Janet) Wong
The Global Construction of the Concept of “Lingnan Culture” in the 20th Century: Chao Shao-an (1905-1998)’s Arts, their Replicas, and Public Representations
- Email: 655815@soas.ac.uk
Hyesook Yang
Utopia, Nostalgia and Escapism: Art in South Korea during the Korean War, 1950-53
- Email: 655625@soas.ac.uk
Mariana Zegianini
The Global Portrait: Subject, Site and Temporality in Portraiture of the Long Seventeenth Century in China (working title)
- Email: 611154@soas.ac.uk
Kulamitra David Zukas
Revealing the Religious Landscape at Bhaja, Bedsa and Karle, Buddhist Rock-cut Monasteries
- Email: 100975@soas.ac.uk