Panggah Ardiyansyah

Heritage as accumulated meaning: Transactions, appropriation and biographies of Hindu-Buddhist materials in pre-modern Indonesia (working title)
- Email: 642001@soas.ac.uk
Heritage as accumulated meaning: Transactions, appropriation and biographies of Hindu-Buddhist materials in pre-modern Indonesia (working title)
Exhibiting Australian Aboriginal Contemporary art in Britain: the case of two galleries in London
(The Buchu Edit: Representations of Africa and residues of empire in the wellness and wellbeing industry with special reference to the Cape of Good Hope)
Decolonising the Visual Archive of Salvatore Fiume (1915-1997): Italian Encounters with Postcolonial Africa
Collecting Chinese Art in Hong Kong during the 20th Century: Appropriation and Location
Intertextual Presentation of Individuality in Qing Biography Landscape: A Reinvention of Ming Wu School Sobriquet Painting (working title)
The Origin, Development and Classification of Trompe L’oeil Porcelain in High Qing China
Artists and Cultural spaces in Kyŏngsŏng (Seoul) during the 1930s
Changes beyond the surface: Tracking the relationship between paper-making and human change in the Indus river basin region from 1000-1947 through a study of historical paper specimens
Dressing up the Manchu Way: Visual Representations of Women’s hair and dress in China and Beyond, 1850s-1940s
On the use of human remains in Tibetan ritual objects
A Different Type of Tea? British Collecting of Ceramics for Tea gatherings from Meiji Japan: the British Museum and Maidstone Museum Collections
Collecting in Public and Private: The Ionides Collection of Chinese Export Porcelain, 1920-1970
Onari: Art, Ritual and Power in Early Modern Japan
The Development of Political Economy and Social Formation of the Marginal Polities on the Salween River Basin, Northwestern Thailand During the first millennium CE to the mid-second millennium CE
A Study of the Zoomorphic Incense Burners of Medieval Khurasan
Art for the people and democracy: Socio-political Art Movements in Japan from the 1920s to the early 1930s
Deconstructing the Historical Metanarrative of Thai Art and Archaeology: The Emergence of Artistic Styles in the Pre-Ayutthaya Period, or ‘Uthong Art,’ during the Thirteenth and Fourteenth Centuries
Revisiting the 'Prakhon Chai' Hoard, an enigmatic group of ‘bronzes' that came to light in current-day Northeast Thailand since mid-1960s
Portraits of Objects: Emperor Yongzheng's 'Guwan tu' and the Agency of Artefacts across Media
Signs of a region: in search of the aesthetic imagination of Southeast Asia after 1948 (working title)
Issues in the curation of Champa art in Vietnam: On stylistic chronology, museum identity and object authenticity
Tracing Visual Evidence of Esoteric Buddhism in the Sculptures of Swat, Gilgit and Kashmir in the mid-6th to the mid-9th century
Early Silk Road photography: A case study of how and why Dr. Maynard Owen Williams, Litt. D. (1888-1963) photographed the Silk Road during the Citroen-Haardt Trans-Asiatic Expedition (1931-1932)
Hidden in Plain Sight: Contemporary Art Practices of Resistance in China, 2007-2018.
A Comparative Study of Women's Buddhist Patronage in Joseon Korea and Edo Japan
Contesting convention: Contemporary art within the political landscape of post-Soviet Central Asia
An investigation into the meaning and significance of the exhibitions of Chinese art at the Whitechapel Art Gallery between 1901 and 1934
Rising from the Ashes: The Semiotics of Subversion in the Works of Contemporary Iranian Women Artists of the "Burnt Generation" (working title).
Visual Representations of the Korean Nation State in the 1880s-1910s
Beyond the Masterpiece: Function and Design of Divine Adornment in Angkorian Cambodia (9th-14th c.).
The significance of glazed ceramics in the economic life and trade networks of the Buddhist kingdoms of Myanmar in the 14th to 18th century
Art as a Tool: Comparative Study of the Centralisation and Manipulation of the Art Scene in Japan in the 1900s and in Korea in the 1920s
Post Medieval Monastic and Vernacular Architecture within Northern Ethiopia
The Public Disseminations of Chao Shao-an (1905-1998)’s Art and the Construction of Geographical Identities among Cantonese communities across Asia-Pacific, c. 1950s-2010s.
Utopia, Nostalgia and Escapism: Art in South Korea during the Korean War, 1950-53
The Global Portrait: Subject, Site and Temporality in Portraiture of the Long Seventeenth Century in China (working title)
Revealing the Religious Landscape at Bhaja, Bedsa and Karle, Buddhist Rock-cut Monasteries