Daphne Ang
The Production and Patronage of Portraiture in Colonial Singapore
- Email: dm36@soas.ac.uk
Department of the History of Art and Archaeology, School of Arts
History of Art & Archaeology Research Students
Kaveh Bakhtiar
Contemporary Islamic architecture in Britain
- Email: 100696@soas.ac.uk
Eva Bentcheva
Cultural Politics of British South Asian Performance Art, 1960-present
- Email: 294548@soas.ac.uk
Gregory Bilotto
The Context of Fāţimid Metalwork
- Email: 615685@soas.ac.uk
Miranda Bruce-Mitford
From Natural History to Wayang: The Collections and Collecting Practices of Thomas Stamford Raffles
- Email: 542210@soas.ac.uk
Paula Callus
Documenting Sub-Saharan African Animation
- Email: 146678@soas.ac.uk
Helena Cantone
White Skin, Black Masks: The African art projects of Salvatore Fiume (1915-1997).
Dong Chengxi
Early museums in China
- Email: 146164@soas.ac.uk
Anais Da Fonseca
Contemporary Lives of Cherial Paintings from Telangana, India: Continuity and Changes
- Email: 500605@soas.ac.uk
Tara Desjardins
Studies on Mughal Glass.
- Email: 268068@soas.ac.uk
Keramat Fathinia
Historical and aesthetical evolution of Siāh-Mashq in Persian calligraphy with a focus on the works of Mirzā Qulāmrizā over the Qājār period Iran
Yang Fu
Ritual Furniture from the Qing Imperial Mausoleum -- a Reinterpretation of a Miaojin Box Set from the Yongzheng Period (1723-35)
- Email: 528070@soas.ac.uk
Ayesha Fuentes
On the use of human remains in Tibetan ritual objects
- Email: 642377@soas.ac.uk
Federica Gigante
The Reception of Islamic Art in Bologna, Ferrara and Padua in the Sixteenth and Seventeenth Centuries
Helen Glaister
Collecting in Public and Private: The Ionides Collection of Chinese Export Porcelain, 1920-1970
- Email: 108095@soas.ac.uk
Haruhisa Handa
Calligraphy and Religious Personality in Early Modern Japan: Hakuin’s Life and Writings
- Email: 138876@soas.ac.uk
Noriko Horsley
Court Patronage and the Collecting of Art in 12th century Insei-period Japan
- Email: 176044@soas.ac.uk
Katherine Hughes
Samanid material culture and identity formation in post-Soviet Tajikistan
- Email: Katherine_hughes@yahoo.com
Atsushi Ikeda
Portraying the Guru: Art and Identity in Sikhism
- Email: 604173@soas.ac.uk
Preeti Khosla
A Study of the Visual Language of the Indigenous Styles of Book Painting in North India during the Sultanate period (1414-1525 AD).
- Email: 178070@soas.ac.uk
In-Sung Kim Han
- Email: 236119@soas.ac.uk
Radu Leca
The Backward Glance: Concepts of 'outside' and 'other' in the Japanese spatial imaginary of the seventeenth century
- Email: 311364@soas.ac.uk
Xiaoxin Li
Rethinking Guang shi jia ju (Cantonese style furniture): A Design History of Mid 18th Century to early 20th Century
Tian S. Liang 梁天爽
- Email: tl6@soas.ac.uk
Hao Liu
The purpose, operation and impacts of art investment of the British Rail Pension Fund’s collection of Chinese work of art from 1974 to 1989
David Malik
Urban Art Forms in Freetown, Sierra Leone, and their Roles in the Making of Diasporic Identities in Communities in London, United Kingdom
- Email: 310284@soas.ac.uk
Maurizia Onori
Neo-Mamluk and neo-Sicilian/Norman funerary monuments, nineteenth - twentieth century in Sicily
- Email: 608973@soas.ac.uk
Biqing Ouyang
Mirror production in the Wu Kingdom (220-280AD)
Sara Peterson
Plant iconography at Tillya-tepe in the context of the art of West and Central Asia
- Email: 500675@soas.ac.uk
Kasia Ploskonka
Contested Conventions: Contemporary Art from Central Asia
- Email: Kasia_Ploskonka@soas.ac.uk
Lesley Pullen
The Representation of Textiles on Javanese Sculpture: 9th to 14th century
- Email: 106947@soas.ac.uk
Elizabeth Reid
An investigation into the meaning and significance of the exhibitions of Chinese art at the Whitechapel Art Gallery between 1901 and 1934
- Email: 622359@soas.ac.uk
Maria Sardi
Mamluk textiles
- Email: 137675@soas.ac.uk
Mimi Savitri
Surakarta: Islamic and Colonial city-planning in Java
- Email: 221881@soas.ac.uk
Kristin Scheel
13th - 14th Century Yuan and Mongol Silk-Gold Textiles: Transcultural consumption and reception in the Mongol Empire and in Europe
- Email: 248142@soas.ac.uk
Saachi Sood
Mahabharata Painting in the Punjab Hills: A Study at the courts of Kangra, Guler and Garhwal
- Email: 263853@soas.ac.uk
Heidi Tan
Curating the Sacred: Pagoda Museums in Myanmar
Ilse Timperman
Early Niche Graves in the Turfan Basin and Inner Eurasia
- Email: 526605@soas.ac.uk
Terumi Toyama
The Replication of Sacred Spaces in Edo
- Email: 131876@soas.ac.uk
Stephanie Tredan
Stuck in Limbo: The Repatriation of Unprovenanced Australian Indigenous Ancestral Remains from UK and Australian Museums
- Email: st79@soas.ac.uk
Karin Warch
Causes and Expressions of Humor in Eighteenth-Century Korean Art
- Email: 298411@soas.ac.uk
Sinead Ward
The Kammavacca Manuscript in Burma
- Email: 145723@soas.ac.uk
Lia Wei
Rock-cut caves in the Upper Yangzi River: Identifying a stone working tradition (2nd to 3rd century CE)
- Email: liawei.mail@gmail.com
Lindsay Zamponi
'British Collectors and Collections of Tibetan Art and Artefacts, 1850-1960'
- Email: 116705@soas.ac.uk
Kulamitra David Zukas
Revealing the Religious Landscape at Bhaja, Bedsa and Karle, Buddhist Rock-cut Monasteries
- Email: 100975@soas.ac.uk