Daphne Ang
The Production and Patronage of Portraiture in Colonial Singapore
- Email: dm36@soas.ac.uk
Department of the History of Art and Archaeology, School of Arts
History of Art & Archaeology Research Students
Gregory Bilotto
The Context of Fāţimid Metalwork
- Email: 615685@soas.ac.uk
Miranda Bruce-Mitford
From Natural History to Wayang: The Collections and Collecting Practices of Thomas Stamford Raffles
- Email: 542210@soas.ac.uk
Helena Cantone
White Skin, Black Masks: The African art projects of Salvatore Fiume (1915-1997).
Ivy Chan
Collecting Chinese Art in Hong Kong during the 20th Century: Appropriation and Location
- Email: 544789@soas.ac.uk
Chih-En Chen
The Origin, Development and Classification of Trompe L’oeil Porcelain in High Qing China
- Email: 656581@soas.ac.uk
Naama Eisenstein
Reshaping Ideals: Visualising the Genpei War (1180-1185) in Early Modern Japan
- Email: 582795@soas.ac.uk
Keramat Fathinia
Historical and aesthetical evolution of Siāh-Mashq in Persian calligraphy with a focus on the works of Mirzā Qulāmrizā over the Qājār period Iran
Ayesha Fuentes
On the use of human remains in Tibetan ritual objects
- Email: 642377@soas.ac.uk
Ai Fukunaga
A Different Type of Tea? British Collecting of Ceramics for Tea Gatherings from Meiji Japan, Focusing on the British Museum and Maidstone Museum Collections
- Email: 632812@soas.ac.uk
Helen Glaister
Collecting in Public and Private: The Ionides Collection of Chinese Export Porcelain, 1920-1970
- Email: 108095@soas.ac.uk
Shiori Hiraki
Onari: Art, Ritual and Power in Early Modern Japan
- Email: 634937@soas.ac.uk
Atsushi Ikeda
Portraying the Guru: Art and Identity in Sikhism
- Email: 604173@soas.ac.uk
Xiaoxin Li
Rethinking Guang shi jia ju (Cantonese style furniture): A Design History of Mid 18th Century to early 20th Century
Tian S. Liang 梁天爽
- Email: tl6@soas.ac.uk
David Malik
Urban Art Forms in Freetown, Sierra Leone, and their Roles in the Making of Diasporic Identities in Communities in London, United Kingdom
- Email: 310284@soas.ac.uk
Maeve Nolan
Early Silk Road photography: A case study of how and why Dr. Maynard Owen Williams, Litt. D. (1888-1963) photographed the Silk Road during the Citroen-Haardt Trans-Asiatic Expedition (1931-1932)
- Email: 253519@soas.ac.uk
Biqing Ouyang
Mirror production in the Wu Kingdom (220-280AD)
Kasia Ploskonka
Contesting convention? The politics of contemporary art in post-Soviet Central Asia
- Email: Kasia_Ploskonka@soas.ac.uk
Elizabeth Reid
An investigation into the meaning and significance of the exhibitions of Chinese art at the Whitechapel Art Gallery between 1901 and 1934
- Email: 622359@soas.ac.uk
Kristin Scheel
13th - 14th Century Yuan and Mongol Silk-Gold Textiles: Transcultural consumption and reception in the Mongol Empire and in Europe
- Email: 248142@soas.ac.uk
Saachi Sood
Mahabharata Painting in the Punjab Hills: A Study at the courts of Kangra, Guler and Garhwal
- Email: 263853@soas.ac.uk
Aisha Stoby
Art Movements their regional Cross-Currents in the GCC (Working Title)
- Email: A_Stoby@soas.ac.uk
Heidi Tan
Meritorious Curating and the Renewal of Pagoda Museums in Myanmar (2013-2016)
Karin Warch
Causes and Expressions of Humor in Eighteenth-Century Korean Art
- Email: 298411@soas.ac.uk
Sinead Ward
The Kammavacca Manuscript in Burma
- Email: 145723@soas.ac.uk
Lindsay Zamponi
'British Collectors and Collections of Tibetan Art and Artefacts, 1850-1960'
- Email: 116705@soas.ac.uk
Mariana Zegianini
The Unbounded Self: Subject, Site and Temporality in Seventeenth-Century Portraiture
- Email: 611154@soas.ac.uk
Kulamitra David Zukas
Revealing the Religious Landscape at Bhaja, Bedsa and Karle, Buddhist Rock-cut Monasteries
- Email: 100975@soas.ac.uk