Recent Publications by SCI members
In Intoxicating Shanghai Paul Bevan explores the work of a number of Chinese modernist figures in the fields of literature and the visual arts, with an emphasis on the literary group the New-sensationists and its equivalents in the Shanghai art world, examining the work of these figures as it appeared in pictorial magazines. It undertakes a detailed examination into the significance of the pictorial magazine as a medium for the dissemination of literature and art during the 1930s. The research locates the work of these artists and writers within the context of wider literary and art production in Shanghai, focusing on art, literature, cinema, music, and dancehall culture, with a specific emphasis on 1934 – ‘The Year of the Magazine’.
Palgrave Macmillan, 2020
Transnational Chinese Theatres is the first systematic study of networks of performance collaboration in the contemporary Chinese-speaking world and of their interactions with the artistic communities of the wider East Asian region. It investigates the aesthetics and politics of collaboration to propose a new transnational model for the analysis of Sinophone theatre cultures and to foreground the mobility and relationality of intercultural performance in East Asia. The research draws on extensive fieldwork, interviews with practitioners, and direct observation of performances, rehearsals, and festivals in Asia and Europe. It offers provocative close readings and discourse analysis of an extensive corpus of hitherto untapped sources, including unreleased video materials and unpublished scripts, production notes, and archival documentation.
What role did cinema play in the Chinese Communist Party’s political project of shaping ideal socialist citizens in the early People’s Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949–1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party’s political project.
Christina Maags, Yujie Zhu
Heritage Politics in China: The Power of the Past studies the impact of heritage policies and discourses on the Chinese state and Chinese society. It sheds light on the way Chinese heritage policies have transformed the narratives and cultural practices of the past to serve the interests of the present.
As well as reinforcing a collective social identity, heritage in China has served as an instrument of governance and regulation at home and a tool to generate soft power abroad. Drawing on a critical analysis of heritage policies and laws, empirical case studies and interviews with policymakers, practitioners, and local communities, the authors offer a comprehensive perspective on the role that cultural heritage plays in Chinese politics and policy. They argue that heritage-making appropriates international, national, and local values, thereby transforming it into a public good suitable for commercial exploitation. By framing heritage as a site of cooperation, contestation, and negotiation, this book contributes to our understanding of the complex nature of heritage in the rapidly shifting landscape of contemporary China.
Heritage Politics in China: The Power of the Past is essential reading for academics, researchers and students in the fi elds of heritage studies, cultural studies, Asian studies, anthropology, tourism and politics.
Bloomsbury Academic, 2019 (re-issue)
This major history of Hong Kong tells the remarkable story of how a cluster of remote fishing villages grew into an icon of capitalism. The story began in 1842 with the founding of the Crown Colony after the First Anglo-Chinese war - the original 'Opium War'. As premier power in Europe and an expansionist empire, Britain first created in Hong Kong a major naval station and the principal base to open the Celestial Chinese Empire to trade. Working in parallel with the locals, the British built it up to become a focus for investment in the region and an international centre with global shipping, banking and financial interests. Yet by far the most momentous change in the history of this prosperous, capitalist colony was its return in 1997 to 'Mother China', the most powerful Communist state in the world.
Julia C. Strauss
Cambridge University Press, 2019
This is an ambitious comparative study of regime consolidation in the 'revolutionary' People's Republic of China and the 'conservative' Republic of China (Taiwan) in the years following the communist victory against the nationalists on the Chinese mainland in 1949. Julia C. Strauss argues that accounting for these two variants of the Chinese state solely in terms of their divergent ideology and institutions fails to recognise their similarities and their relative successes. Both, after all, emerged from a common background of Leninist party organization amid civil war and foreign invasion. However, by the mid-1950s they were on clearly different trajectories of state-building and development. Focusing on Sunan and Taiwan, Strauss considers state personnel, the use of terror and land reform to explore the evolution of these revolutionary and conservative regimes between 1949 and 1954. In so doing, she sheds important new light on twentieth-century political change in East Asia, deepening our understanding of state formation.
Edited by Jieyu Liu, Junko Yamashita
The Routledge Handbook of East Asian Gender Studies presents up-to-date theoretical and conceptual developments in key areas of the field, taking a multi-disciplinary and comparative approach. Featuring contributions by leading scholars of Gender Studies to provide a cutting-edge overview of the field, this handbook includes examples from China, Japan, South Korea, Taiwan and Hong Kong and covers the following themes:
theorising gender relations; women’s and feminist movements; work, care and migration; family and intergenerational relationships; cultural representation;
masculinity; and state, militarism and gender.
This handbook is essential reading for scholars and students of Gender and Women’s Studies, as well as East Asian societies, social policy and culture.
Edited by Dafydd Fell, Hsin-Huang Michael Hsiao
This book examines and reviews some of the key figures in Taiwan Studies to plot the development of the field by revisiting their earlier influential books and bodies of work.
Often autobiographical in detail, each chapter asks the author to discuss the origins of their research and how their engagement with the field has developed since. The contributors then discuss their methodologies, fieldwork and arguments, as well as how their work was received at the time. They also go on to reflect on their chosen methods and core findings, assessing whether they have stood the test of time. Reflecting the diversity of the Taiwan Studies field, subjects covered in this volume include sociology, musicology, linguistics, comparative politics, international relations and anthropology. As such, this comprehensive overview adopts a distinctly interdisciplinary approach to understanding Taiwan.
Painting a picture of the changing state of international Taiwan Studies through the work of leading scholars, this book will be invaluable to students and scholars of Taiwan Studies, Chinese Studies and Asian politics, culture and society.
Edited by Bi-yu Chang, Pei-yin Lin
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global cultural interactions. Challenging the view of Taiwan as a product of transience and displacement, it highlights Taiwan’s subjectivity, viewing the island as a site of a global development that epitomizes both resistance and negotiation in the process of cultural flows.
The fourteen contributions by an international team of scholars investigate the multi-layered and multidirectional interplays between the island and the outside world, exploring the impact of complex cultural encounters on the construction, writing and rewriting of Taiwan in a global context. Taking an interdisciplinary approach, the topics covered range from Taiwanese literature, cinema, food culture and tourism to cultural geography, colonial history, and folk religion, with comparisons made with Japan, China, Hong Kong, the Philippines, and the West.
Focusing on continuous cross-cultural interplays, this book affords readers a deeper understanding of identity politics and a better insight into the fluidity, changeability, and constructionist nature of culture. As such, it will be will be of great interest to students and scholars of Taiwan Studies and Cultural Studies, as well as Asian film, literature and popular culture.
Yale University Press, 2018
Under President Xi Jinping, China has become a large and confident power both at home and abroad, but the country also faces serious challenges. In this critical take on China’s future, economist George Magnus explores four key traps that China must confront and overcome in order to thrive: debt, middle income, the Renminbi, and an aging population. Looking at the political direction President Xi Jinping is taking, Magnus argues that Xi’s authoritarian and repressive philosophy is ultimately not compatible with the country’s economic aspirations.
Thorough and well researched, the book also investigates the potential for conflicts over trade, China’s evolving relationship with Trump, and the country’s attempt to win influence and control in Eurasia through the Belt and Road initiative.
Christina Maags, Marina Svensson (eds)
Amsterdam University Press, 2018
The Chinese state uses cultural heritage as a source of power by linking it to political and economic goals, but heritage discourse has at the same time encouraged new actors to appropriate the discourse to protect their own traditions. This book focuses on that contested nature of heritage, especially through the lens of individuals, local communities, religious groups, and heritage experts. It examines the effect of the internet on heritage-isation, as well as how that process affects different groups of people.
One of the two most powerful states in the world, China continues to be seen as a mystery even after decades of an open door. How does China work, what does it want, why does it want it, and what does its rise to global power mean for the rest of the world? As the twenty-first century looks set to be the stage for a battle about competing geopolitical ideals, these are urgent questions for everyone with an interest in what the future might bring.Despite decades of a relatively open door relationship with the rest of the world, China is still a mystery to many outside it. A world of its own, China is both a microcosm and an amplification of questions and events in the wider world. China's story offers us an opportunity to hold a mirror to ourselves: to our own assumptions, to our values, and to our ideas about the most important question of all: what it means to be human in the world of the state.Epic in scope, this is the story of how China became the state it is today and how its worldview is based on what has gone before. Weaving together inspirations, ideas, wars and dreams to reveal the heart of what it means to be Chinese and how the past impacts on the present.
Frauke Urban and Giuseppina Siciliano
In recent years, both Chinese overseas investment and hydropower development have been topics of increasing interest and research, with Chinese actors acting as financiers, developers, builders and sub-contractors.Chinese Hydropower Development in Africa and Asia explores the governance and socio-economic implications of large Chinese dams’ development in low- and middle-income countries in Asia and Africa and asks how these big infrastructure projects promote sustainable local and national development in the recipient countries. The book first discusses general aspects of Chinese involvement in hydropower development in Africa and Asia, looking at political and economic aspects, before presenting selected case studies from large dams built and financed by Chinese actors in Asia and Africa. Based on these results, the book further makes recommendations on how to improve the planning, implementation and governance of large dams for sustainable global dam-building.This volume is a valuable resource for academics, researchers and scholars in the areas of Development, Environmental Studies, Politics and Economics.
In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.
Palgrave Macmillan UK, 2017
This book offers the first ethnographic account of the experiences of highly educated young professional women, hailed by the Chinese media as ‘white-collar beauties’. It exposes the organizational mechanisms – naturalization, objectification and commodification of women – that wield gendered and sexual control in post-Mao workplaces. Whilst men benefit from symbolic and bureaucratic power, women professionals skilfully enact indirect power in a game of domination and resistance. The sources of women’s subversion are grounded in their only-child upbringing which breaks the patrilineal base of familial patriarchy fostering an unprecedented ambition in personal development, gender as inherently relational and a role-oriented system, and inner-outer cultural boundaries as signifiers of moral agency. This raises a new feminist inquiry about the agents for social change. Through a nuanced analysis grounded in the socio-cultural locality, this book throws fresh light upon the ways in which gender, sexuality and power could be theorized beyond a Euro-American reality.
1616: Shakespeare and Tang Xianzu's China
Edited by Dr Tian Yuan Tan
London: Bloomsbury Arden Shakespeare, 2016
The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
Sinologists as Translators in the Seventeenth to Nineteenth Centuries
Edited by Lawrence Wang-chi Wong and Bernhard Fuehrer
Asian Translation Traditions Series
The Chinese University Press, Research Centre for Translation, CUHKThis is a collection of eleven papers from the first and second international conferences “Sinologists as Translators in the 17–19th Centuries.” With a focus on the historical context of contributions by early Sinologists and their translations of works in Chinese, papers within this volume explore why certain works were chosen for translation, how they were interpreted, translated, or even manipulated, and the impact they made, especially in establishing the discipline of Sinology in various countries. This book aims to reconstruct a wider historical and intellectual context from which certain translations emerged, and also to further expand the field through the extensive use of hitherto overlooked archive material so as to open up fresh avenues for research.
A Modern Miscellany - Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938
Vol. 12 in the series: Ideas, History, and Modern China (IHMC): series editors Wang Hui and Ban Wang
Leiden: Brill, 2015
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Columbia University Press, 2015
Since the 1990s, Chinese literary enthusiasts have explored new spaces for creative expression online, giving rise to a modern genre that has transformed Chinese culture and society. Ranging from the self-consciously avant-garde to the pornographic, web-based writing has introduced innovative forms, themes, and practices into Chinese literature and its aesthetic traditions.Conducting the first comprehensive survey in English of this phenomenon, Michel Hockx describes in detail the types of Chinese literature taking shape right now online and their novel aesthetic, political, and ideological challenges. Offering a unique portal into postsocialist Chinese culture, he presents a complex portrait of internet culture and control in China that avoids one-dimensional representations of oppression. The Chinese government still strictly regulates the publishing world, yet it is growing increasingly tolerant of internet literature and its publishing practices while still drawing a clear yet ever-shifting ideological bottom line. Hockx interviews online authors, publishers, and censors, capturing the convergence of mass media, creativity, censorship, and free speech that is upending traditional hierarchies and conventions within China--and across Asia.
Passion, Romance, and Qing
Edited by Dr Tian Yuan Tan and Paolo Santangelo
Leiden, Boston: Brill, 2014
Passion, Love, and Qing examines the vitality of Peony Pavilion, the most famous drama in Ming China (1368-1644), through four essays (by Isabella Falaschi, Paolo Santangelo, Tian Yuan Tan, and Rossella Ferrari) and an extensive Glossary of specific terms and expressions related to the representation of emotions and states of mind. It explores the evolution and permanence of the universal message about passion or emotions contained in the language of the play. Written in the late Ming, Peony Pavilion embodies the new trends in the ‘cult of passions’ and new sensibility of the times. It is also a rich intertext of love that both inherits the legacy of earlier literary traditions and influences later amatory literature and theatrical performances. Accompanying video material to the work can be found here.
Europe Meets China - China Meets Europe: The Beginnings of European-Chinese Scientific Exchange in the 17th Century
Shu-Jyuan Deiwiks, Bernhard Fuehrer and Therese Geulen (eds.)
Monumenta Serica, 2014
This volume consists of selected papers from a cross-disciplinary symposium, held by the Ostasien-Institut (OAI, East Asia Research Institute) as part of the project “Europe meets China – China meets Europe.” It presents studies on the early encounters between two highly heterogeneous groups, European missionaries and Chinese literati, employing a cultural-psychological framework. Based on research in primary sources, the contributions elaborate on the cultural conditions and psychological interactions which influenced these encounters, thus providing new insights into the history of the Jesuit mission in China.
Bernhard Fuehrer and Yang Hsiu-fang
Taipei: National Taiwan University Press, 2014
Southern Hokkien: An Introduction is a research-based textbook originally designed for non-heritage learners who acquired a reasonably good proficiency level of Mandarin and wish to learn the Southern Hokkien language outside its natural linguistic environment.It uses a situation-based approach in which dialogues are designed to reflect scenes in real life rather than classroom situation. Grammar and vocabulary explanations follow a primarily contrastive approach, focussing on similarities and differences between Mandarin and Southern Hokkien. Though mainly based on dialect variants spoken in Taiwan, Southern Hokkien also includes references to dialect variants spoken in other Hokkien speaking areas.The textbook is complemented by a number of excursions and explanatory comments which help not only to follow required linguistic rules and cultural conventions but also to gain a basic understanding of the reasons behind some of these rules and conventions.
Reaktion Books, 2014
The Mongol Century explores the visual world of China’s Yuan dynasty (1271–1368), the spectacular but short-lived regime founded by Khubilai Khan, regarded as the pre-eminent khanate of the Mongol empire.This book illuminates the Yuan era – full of conflicts and complex interactions between Mongol power and Chinese heritage – by delving into the visual history of its culture. Shane McCausland considers how Mongol governance and values imposed a new order on China’s culture and how a sedentary, agrarian China posed specific challenges to the Mongols’ militarist and nomadic lifestyle. He also explores how an unusual range of expectations and pressures were placed on Yuan culture: the idea that visual culture could create cohesion across a diverse yet hierarchical society, while balancing Mongol desires for novelty and display with Chinese concerns about posterity.
Jung, Yuson and Klein, Jakob A. and Caldwell, Melissa L., eds.
University of California Press, 2014
Current discussions of the ethics around alternative food movements--concepts such as "local," "organic," and "fair trade"--tend to focus on their growth and significance in advanced capitalist societies. In this groundbreaking contribution to critical food studies, editors Yuson Jung, Jakob A. Klein, and Melissa L. Caldwell explore what constitutes "ethical food" and "ethical eating" in socialist and formerly socialist societies. With essays by anthropologists, sociologists, and geographers, this politically nuanced volume offers insight into the origins of alternative food movements and their place in today's global economy. Collectively, the essays cover discourses on food and morality; the material and social practices surrounding production, trade, and consumption; and the political and economic power of social movements in Bulgaria, China, Cuba, Lithuania, Russia, and Vietnam. Scholars and students will gain important historical and anthropological perspective on how the dynamics of state-market-citizen relations continue to shape the ethical and moral frameworks guiding food practices around the world.
An Early Chinese Commentary on the Ekottarika-āgama: The Fenbie gongde lun 分別功德論 and the History of the Translation of the Zengyi ahan jing 增一阿含經
Taipei: Fagu Wenhua – Dharma Drum, 2013
This study reassesses an old problem in the history of Chinese Buddhism, the origins and nature of the Zengyi ahan jing 增一阿含經 (Taishō 125). It does so by a close investigation of the Chinese translation of the Ekottarika-āgama at the end of the fourth century and of its most important witness, the Fenbie gongde lun 分別功德論 (Taishō 1507). It is argued that the latter document, whose original title was Zengyi ahan jing shu 增一阿含經疏, should be seen as an unfinished commentary to the newly translated collection, produced within the original translation team (including Dao'an 道安, Zhu Fonian 竺佛念 and the Indo-Bactrian master Dharmananda) during the tumultuous end of the Later Qin 後秦 empire in A.D. 385. This reconstruction yields further insights into the cultural origins of the Chinese Ekottarika-āgama, and its broader significance for the history of Buddhism.
Daily, Christopher A
Hong Kong University Press, 2013
This book critically explores the preparations and strategies behind this first Protestant mission to China. It argues that, whilst introducing Protestantism into China, Morrison worked to a standard template developed by his tutor David Bogue at the Gosport Academy in England. By examining this template alongside Morrison’s archival collections, the book demonstrates the many ways in which Morrison’s influential mission must be seen within the historical and ideological contexts of British evangelism. The result is this new interpretation of the beginnings of Protestant Christianity in China.