Islamic Art Theories and Aesthetics
- Module Code:
- Module Not Running 2019/2020
- Year of study:
- Year 2, Year 3 or Year 4
- Taught in:
- Term 1
This course surveys a number of different theories of Islamic art that have been propounded in twentieth- and twenty-first-century studies of Islamic art and, especially, architecture, with particular attention paid to theories relating to objecthood and the role of the viewing subject; and it investigates what might be meant by the term, Islamic aesthetics. Using primary source Islamic texts wherever possible, this investigation expands the treatment of aesthetics from its popular but limited remit of sensory data perceived by the eye into a treatment of sensory data perceived by the body in its entirety. As a result of this expansion, a desideratum for the development of new methods for engaging with Islamic art becomes apparent, and perhaps even new theories.
Objectives and learning outcomes of the module
On successful completion of this module a student will be able to:
- Assess and communicate the diverse sources pertaining to theories of Islamic art and the question of Islamic aesthetics.
- Analyse Islamic art in terms of the theories and methods taught, using the appropriate vocabulary.
- Evaluate scholarly positions critically, and to articulate and justify their own position within that debate.
- Demonstrate critical awareness of visual evidence as a source for the study of Islam; specifically, the Islamic sensorium.
- Assess critically the materials and themes explored in the course.
- One hour Lecture, one hour Seminar
Method of assessment
- One 1,000-word essay (worth 20%)
- One 2,000-word essay (worth 40%)
- One two-hour exam (worth 40%)
- Shahab Ahmed, What is Islam? The Importance of Being Islamic (2015) N297.22 /519772
- Doris Behrens-Abouseif, Beauty in Arabic Culture (1999) N701.17 /782925
- Olga Bush, Reframing the Alhambra: Architecture, Poetry, Textiles and Court Ceremonial (forthcoming 2018)
- Valérie Gonzalez, Beauty and Islam: Aesthetics in Islamic Art and Architecture (2001) FS /843209
- Oleg Grabar, The Mediation of Ornament (1992) FS /644144
- Jamal Elias, Aisha’s Cushion: Religious Art, Perception, and Practice in Islam (2012) FS /742924
- Navid Kermani, God is Beautiful: The Aesthetic Experience of the Quran (2014) N297.122 /747152
- Oliver Leaman, Islamic Aesthetics: An Introduction (2001) FS /918030
- Birgit Meyer (ed.), Aesthetic Formations: Media, Religion, and the Senses (2010) A291.175 /739414
- Jose Miguel Puerta Vilchez, Aesthetics in Arabic Thought: From Pre-Islamic Arabia through al-Andalus (2017) FS /530377