SOAS University of London

Department of the History of Art and Archaeology, School of Arts

Discourses on Modern and Contemporary Art of the Middle East

Module Code:
15PARH096
Credits:
15
Year of study:
Any
Taught in:
Term 2

The study and interpretation of art of modern and contemporary Middle East is a developing field, in terms of artistic production, exhibition, marketing and intellectual discourse. This module aims to address the major historical, conceptual, theoretical and aesthetic issues that inform the region’s modern and contemporary art paradigm. Arranged largely in chronological order, it will explore the art of the Middle East, with particular attention to Iran, Iraq, Lebanon and Egypt, by tracing the underpinning discourses that have shaped artistic practices and transformations in the region since the mid-20th century. The course will address key points about the problems of terminology: the problematic use of such terms as “Modern Islamic Art” and the frequent application of the terms “Modern” and “Contemporary” without sufficient acknowledgement of their contextual connotation. It will examine the recent developments in art practice in the Middle East and its diaspora and their wider context, analysing the impact of globalisation and other transnational cultural and social links. Reflecting on recent exhibitions and curatorial projects, it aims to engage with new paradigms in contemporary art of the region, working through the issues of knowledge production and transfer, global versus regional perspectives and local identities, contemporaneity and specificity. These concepts will be examined by means of pictorial analysis and close interrogation of the works of key artists (working with different media from painting and sculpture to photography, video, performance and installation…).

Prerequisites

  • This Module is capped at 30 places
  • Students enrol via the online Module Sign-Up system. Students are advised of the timing of this process via email by the Faculty Office.

Workload

  • One hour Lecture, one hour Seminar

Scope and syllabus

  1. The problem of terminology
  2. Contextualising Historiography (‘Modern’ and ‘Contemporary’ Art of the ME)
  3. Alternative Modernism: Avant-gardism vis-à-vis Cultural Resistance
  4. Harmonising the Dichotomy of Past and Present
  5. Conceptualism and New Media
  6. Contemporaneity versus Specificity
  7. Global versus regional/local Discourses: Identity Politics
  8. Middle Eastern Diasporic Art
  9. Regional Artistic Events and Museum Infrastructure
  10. Representing Visual Materials (visit to the British Museum)

Method of assessment

  • One 2,000 word essay (worth 60%)
  • One oral presentation (worth 30%)
  • Seminar participation (worth 10%)

Suggested reading

  • Ali, Wijdan (ed.), Contemporary Art from the Islamic World (London: Scorpion, 1989).
  • Babaie, Sussan, ‘Voices of Authority: Locating the “Modern” in “Islamic” Arts’, Getty Research Journal 3 (2011): 133–49.
  • Carswell, John, ‘The Lebanese Vision: A History of Painting’, Lebanon: The Artist’s View (London: British Lebanese Association, 1989).
  • Dabashi, Hamid, Islamic liberation Theology: Resisting the Empire (London: Routledge, 2007).
  • ——— , Post-Orientalism: Knowledge and Power in Time of Terror (New Brunswick N.J.: Transaction Publishers, 2009).
  • Fereshteh Daftari. “Another Modernism: An Iranian Perspective.” In Lynn Gumpert and Shiva Balaghi (eds), Picturing Iran: Art, Society and Revolution (London and New York: I.B. Tauris, 2002): 39-88.
  • ——— , ‘Islamic or Not’, (ed.), Without Boundary. Seventeen Ways of Looking (exhibition catalogue, The Museum of Modern Art, New York) (New York: MoMA, 2006).
  • Exell, Karen, Wakefield Sarina, (eds.), Museums in Arabia: Transnational Practices and Regional Processes (London: Routledge, 2016).
  • Flood, Finbarr Barry, ‘From the Prophet to Postmodernism? New World Orders and the End of Islamic Art’, originally published in Elizabeth Mansfield, (ed.) Making Art History: A Changing Discipline and its Institutions (London: Routledge, 2007): 31-53.
  • Gruber, Christiane and Haugbolle, Sune, Visual culture in the Modern Middle East: Rhetoric of the Image (Bloomington: Indiana University Press, 2013).
  • Howling, Frieda, Art in Lebanon, 1930–1975: The Development of Contemporary Art in Lebanon (Beirut: Lebanese American University, 2005).
  • Kane, Patrick, The Politics of Art in Modern Egypt: Aesthetics, Ideology and Nation-Building (London, New York: I.B. Tauris, 2013).
  • Lenssen, Anneka and Rogers, Sarah A., ‘Articulating the Contemporary’, in Flood, Finbarr Barry and Necipo─člu, Gülru, (eds.) A Companion to Islamic Art and Architecture, (Hoboken: Wiley-Blackwell, 2017).
  • O’Brien, Elaine, et al. (eds.), Modern Art in Africa, Asia, and Latin America. An Introduction to Global Modernisms (Malden, MA: Wiley-Blackwell, 2013).
  • Keshmirshekan, Hamid, ‘Parameters of “Modern” and “Contemporary” Art from the Middle East: An Alternative Art Historical Account’, in Julia Allerstorfer and Monika Leisch-Kiesl (eds), Global Art History, Transkulturelle Verortungen von Kunst und Kunstwissenschaft (Bielefeld: transcript Verlag, 2017).
  • ———, (ed.), Contemporary Art from the Middle East. Regional Interactions with Global Art Discourses (London, New York: I.B. Tauris, 2015).
  • ———, Contemporary Iranian Art, New Perspectives (London: Saqi Books, 2013).
  • Malik, Amna. “Surface Tension, Reconsidering Horizontality Through the Practices of Contemporary Iranian Diaspora Artists.” In Identity Theft: Cultural Colonisation and Contemporary Art, edited by Jonathan Harris, 109-34. Liverpool: Tate Liverpool and Liverpool University Press, 2008.
  • Naef, Silvia, ‘Reexploring Islamic Art: Modern and Contemporary Creation in the Arab World and Its Relation to the Artistic Past’, Anthropology and Aesthetics 43 (Spring, 2003): 164-174 .
  • Rogers, Sarah, ‘Out of History: Postwar Art in Beirut’, Art Journal 66: 2 (Summer 2007): 9–20.
  • Sadria, Mojtaba (ed.), Multiple Modernities in Muslim Societies (Geneva: Aga Khan Award for Architecture, 2009).
  • Scheiwiller, Staci, ‘Is There Post-Islamic Art or Are We Post-Islamic Art? Time and the Condition of “Contemporary Islamic Art”’, in Lopes, Rui Oliveria; Lamoni, Giulia and Alves, Margarida Brito (eds.), Global Trends in Contemporary Islamic Art (Lisboa: CIEBA, 2015).
  • Shabout, Nada, Modern Arab Art: Formation of Arab Aesthetics (Gainesville: University Press of Florida, 2007).
  • Winegar, Jessica, Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt (Stanford, Calif.: Stanford University Press, 2006).
  • Winegar, Jessica. “Framing Egyption Art, Western Audiences and Contemporary Artists from Egypt.” In Peripheral Insider: Perspectives on Contemporary Internationalism in Visual Culture, edited by Khaled D. Ramadan, 40-55. Copenhagen: Museum Tusculanum Press, 2007. 

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