Korean Cinema (PG)

The module is designed to offer a critical overview of Korean cinema, and its progression from the beginning to the present day. It will be looking at how actors and directors are involved in the industry.

Objectives and learning outcomes of the module

On successful completion of this module a student will be able to:

• Demonstrate a clear and critical knowledge about the discourses present in Korean cinema

• Demonstrate a knowledge about Korean directors and actors

• Demonstrate ability to critically analyse key concepts of cinema: genre, national cinema, narrative cinema using the Korean context as a model

• Apply the theoretical concepts from the core texts to Korean cinema in an articulate and critical manner

• Express and defend positions about cinema both orally and in writing

• Develop their own particular research interests independently

Workload

Total taught hours : 30 hours. 2 hours of lectures and 1 hour of seminars per week for 10 weeks.

Independent study : 120 hours

Total hours for module : 150 hours

Scope and syllabus

The syllabus will include a focus on directors and actors active in Korean and topics prevalent in the wider East Asian region. It will similarly introduce some of the core texts and films in relation to Korean cinema.

Method of assessment

• Reaction paper (900 words) 25%
• Essay (2500 words) 75%

Suggested reading

Core Reading

• Lee, S. (2019) Rediscovering Korean Cinema. University of Michigan Press
• Klein, C. (2020) Cold War Cosmopolitanism: Period Style In 1950s Korean Cinema. University of California Press
• Kim, D. (2018) Transnational Korean Cinema: Cultural Politics, Film Genres, And Digital Technologies. (2019) by Dal Yong Jin. Rutgers University Press
• Choe, S (2018) Sovereign Violence: Ethics And South Korean Cinema In The New Millennium. Amsterdam University Press
• An, J. (2018). Parameters Of Disavowal: Colonial Representation In South Korean Cinema. University of California Press
• Ward, S (2018) Okja: The Art And Making Of The Film. Titan Books
• Choe, Y (2016). Tourist Distractions: Traveling And Feeling In Transnational Hallyu Cinema. Duke University Press
• Yecies, B and Shim, A. (2016) THE CHANGING FACE OF KOREAN CINEMA: 1960 TO 2015 by Routeledge
• Chung, H. and Diffrient, D. (2015) Movie Migrations: Transnational Genre Flows And South Korean Cinema.  Rutgers University Press
• Balmain, B.  and Jackson, A. (2015) Korean Screen Cultures: Interrogating Cinema, Tv, Music And Online Games. Internationaler Verlag der Wissenschaften

Additional Reading

• Fischer, P. (2015) A Kim Jong-Il Production: The Extraordinary True Story Of A Kidnapped Filmmaker, His Star Actress, And A Young Dictator's Rise To Power. Flatiron Books
• Chung, S. (2016) Split Screen Korea: Shin Sang-Ok And Postwar Cinema. University of Minnesota Press
• Park, Y (2014). Unexpected Alliances: Independent Filmmakers, The State, And The Film Industry In Postauthoritarian South Korea. Stanford University Press
• Hughes, T (2014) Literature And Film In Cold War South Korea: Freedom's Frontier.  Columbia University Press
• Peirse, A and Martin, D. (2013) Korean Horror Cinema. Edinburgh University
• Seung Chung, H. (2013). Kim Ki-Duk (Contemporary Film Directors).  University of Illinois Press
• Schonherr, J. (2012) North Korean Cinema: A History. McFarland
• Yecies, B and Shim, A. (2011) Korea's Occupied Cinemas, 1893-1948. Routeledge
• Kim, K. (2011) Virtual Hallyu: Korean Cinema Of The Global Era.  Duke University Press Books
• Ahn, S. (2011) The Pusan International Film Festival, South Korean Cinema And Globalization.  Hong Kong University Press
• Paquet, D. (2010) New Korean Cinema: Breaking The Waves. Columbia University Press
• Choi, J. (2010) The South Korean Film Renaissance. Wesleyan

Disclaimer

Important notice regarding changes to programmes and modules