Writing from the Margins: Minority and "Outsider" Texts in Modern Japanese Literature (PG)
- Start date
- End date
- Year of study
- Term 2
- Module code
- FHEQ Level
The module looks at a range of Japanese literary works written from an outsider perspective, whether culturally, ethnically, or socially. The texts selected challenge notions of a supposedly homogeneous and monolithic modern Japanese identity. They articulate the experiences of "marginal" or peripheral identities, such as Okinawa, the "untouchable" Burakumin, queer writing, but also the precarious youth struggling to survive in contemporary society. While it includes references to important texts in the late 19th century, the module focuses on works from the 20th century to the present day, as manifestations of different cultural identities, and perspectives of marginality, in literature develop crucially in this period.While the module explores seminal texts by core writers against the background of key movements in the evolution of the literary field, it also actively includes more recent literature and references to relevant popular culture (manga and anime), shedding light on the visions and general debates in the contemporary Japanese landscape. The literary texts will be placed within the broader context of the social, historical, and political environment from which they emerged.
Each class session consists of a seminar and a lecture. Assigned readings for each week include primary (literature) and secondary (history and criticism) texts. In the seminars, students will discuss the readings, also in light of critical questions highlighted in class.
No prior knowledge of Japanese language or literature is required: all materials studied on the module are in English translation. Students with a high proficiency of Japanese who wish to do so, can request additional guidance on Japanese-language texts and research materials.
Objectives and learning outcomes of the module
On successful completion of this module a student will:
1. demonstrate a critical understanding of crucial themes and issues in modern Japanese literature, with respect to socio-historical context and cultural developments
2. demonstrate advanced skills in literary analysis and research
3. engage with a variety of theoretical approaches and frameworks in the study of modern Japanese literature
4. demonstrate confidence in proposing ideas and research questions for seminars and written coursework
- Total taught hours : 20 hours. 1 hour lecture and 1 hour seminar per week for 10 weeks.
- Independent study: 130 hours
- Total hours for module : 150 hours
Scope and syllabus
The following syllabus is for guidance only and is subject to alteration at the discretion of the module convenor.
1. Lecture: Introduction - Contextualising modern Japanese literature
2. Lecture: Hokkaido
3. Lecture: Okinawa
4. Lecture: Gender
5. Lecture: Queer visions
6. Reading Week
7. Lecture: Burakumin
8. Lecture: Zainichi Koreans
9. Lecture: Centre and periphery
10. Lecture: Visions of precarity
11. Lecture: Beyond Japan
Method of assessment
- Book review (20%)
- Research essay (80%)
• Birnbaum, Alfred. (Ed.) Monkey Brain Sushi: New Tastes in Japanese Fiction. Tokyo: Kodansha International, 1993.
• Chapman, David. Zainichi Korean identity and ethnicity, 2007.
• Fowler, E. The Rhetoric of Confession: Shishosetsu in Early Twentieth-Century Japanese Fiction. Berkeley, University of California Press, 1988.
• Fujii, James A. (1993). Complicit Fictions: The Subject in the Modern Japanese Prose Narrative. Berkeley, University of California Press, 1993.
• Geilhorn, Barbara; Iwata-Weickgenannt, Kristina, K. (eds.). Fukushima and the Arts: Negotiating Nuclear Disaster. New York: Routledge, 2016.
• Gessel, V. C., & Matsumoto, T. (Ed.). The Shôwa Anthology: Modern Japanese Short Stories. Tokyo: Kodansha International, 1989.
• Goossen, Thedore W (ed). The Oxford Book of Japanese Short Stories. Oxford: Oxford University Press, 1997.
• Keene, Donald. Dawn to the West: Japanese Literature of the Modern Era (Fiction). New York: Holt, Rinehart and Winston, 1984.
• Inouye, C. Japanese Gothic Tales: Izumi Kyoka. Honolulu: University of Hawai'i Press, 1996.
• Iwata-Weickgenannt, Kristina.; Rosenbaum, Roman. (eds.). Visions of Precarity in Japanese Popular Culture and Literature. New York: Routledge, 2015.
• Lippit, Noriko M. Reality and Fiction in Modern Japanese Fiction. White Plains: M.E. Sharpe Inc., 1980.
• Masami, Yuki. Foodscapes of contemporary Japanese women writers : an ecocritical journey around the hearth of modernity, 2015.
Mason, Michelle. Dominant narratives of colonial Hokkaido and imperial Japan: envisioning the periphery and the modern nation state
• McLelland, M.; Suganuma, K.; Welker, J. (eds.). Queer Voices from Japan: First Person Narratives from Japan’s Sexual Minorities. Lanham: Lexington Books, 2007.
• Molasky, Michael. The American occupation of Japan and Okinawa : literature and memory, 1999.
• Napier, Susan. The Fantastic in Modern Japanese Literature: The Subversion of Modernity. London: Routledge, 1996.
• Schalow, P., & Walker, J. (Ed.). The Woman's Hand: Gender and Theory in Japanese Women's Writing. Stanford: Stanford University Press., 1996.
• Selden, Kyoko I.; Mizuta, Noriko (eds.). More Stories by Japanese Women Writers. An Anthology. Armonk: M.E. Sharpe, 2011.
• Shimahara, Nobuo. Burakumin : a Japanese minority and education, 1971.
• Suzuki, Michiko. Becoming modern women love and female identity in prewar Japanese literature and culture, 2010.
Important notice regarding changes to programmes and modules