Hannah Bates

Tocando Tumbao: performance perspectives on Cuban pianism
- Email: 245982@soas.ac.uk
Tocando Tumbao: performance perspectives on Cuban pianism
Dyslexia, Sensory Ethnomusicology, and Chopi timbila Xylophone Music in Mozambique
The Reception History of Bob Dylan in Indian Popular Music
Growing Through Music: Developing Teaching For Personal and Social Outcomes within Instrumental Music Teaching in UK
Paiziluo Shawm and Percussion Bands in Hubei Province (China) and Social Changes
The Course of the Hand: Formulas, Creativity and Processes of "Improvisation" in Mande Kora Music
Metal Music and its Relationship to Folk Music and National Identity in the Middle East
Listening to New Raï: Algerian identities in the 21st century.
A Reflexive Study of Music Practice in a UK Paediatric Hospital Setting
Singing Sufis in Text: Indo-Persian Music and Sufi Poetics ca. 1250-1600
Evaluate Takemitsu Approaches for Integrating World Music's - Portable Music & Non-Portable Music
Music as a Method for Sustaining and Revitalising the Ainu Language and Identity
Archives of Sri Lanka's Vocal Arts: The Lyrical Genres of the Nevill Collection as Refractions of Sri Lanka, Past and Present
Activism and Urbanism in Contemporary Indigenous Music-Making in Australia.
Listening, Khaleeji-Style
Indian Rhythm and Life Writing in Cross-Sensory Composition (Practice Research)
William Hofmann
Singing Sufis in Text: Indo-Persian Music and Sufi Poetics ca. 1250 – 1600
Supervisor: Richard Widdess
Cholong Sung
The Music and Culture of the Korean Diaspora in London
Supervisor: Keith Howard
Lorenzo Chiarofonte
POWERFUL SOUNDS: MUSIC, DANCE AND RITUAL EFFICACY IN BURMESE NATKANA PWE SPIRIT POSSESSION CEREMONIES
Supervisor: Nick Gray
Rosalind Hawley
Musicians in Hospital, a reflexive study
Supervisor: Rachel Harris
Saeid Kordmafi
Rhythmic Organization in the Classical Music of the Arab Mashriq
Supervisor: Rachel Harris
Christian Poske (AHRC Collaborative Doctoral Partnership with British Library)
Continuity and Change: A Restudy of Arnold Adriaan Bake’s Research on the Devotional and Folk Music and Dance of Bengal 1925-1956
Supervisor: Richard Widdess
Fu Xuejiao
Women and Western Art Music in Shanghai
Supervisor: Rachel Harris
Rasika Ajotikar (Felix Scholarship)
Music and the politics of caste and gender: women’s voices of liberation in Western India
Supervisor: Richard Widdess
Mu Qian
The Ashiq of Khotan
Supervisor: Rachel Harris
Morgan Davies
Musical Knowledge of the Langas and Manganiyars
Supervisor: Richard Widdess
Cloris Lim
Nanyin Musical Culture in Southern Fujian, China: Adaptation and Continuity
Supervisor: Rachel Harris
Chloe Alaghband-Zadeh (AHRC)
Analysing thumri
Supervisor: Richard Widdess
Min Yen Ong
Kunqu in 21st Century China - Musical Change and Amateur Practices
Supervisor: Rachel Harris
Jung Rock
Seo Ancient Korean and Japanese Court Dance: Historical Relationship and Transmission: Case of Ch'oyongmu and Nasori
Supervisor: Keith Howard/Richard Widdess
Jyotsna Joanne Latrobe
Red Earth Song: Marai Kirtan of Rarh: Devotional singing and the performance of ecstacy in the Purulia District, Bengal, India
Supervisor: Richard Widdess
William Sumits
The evolution of the maqam tradition in Central Asia: from the theory of 12 maqam to the practice of shashmaqam
Supervisor: Rachel Harris
Sun Zhuo
The Chinese Zheng Zither: 20th - 21st Century Transformations, 2010
Supervisor: Rachel Harris
David Kane (AHRC)
Spreading the Word through Song: Music and Islamisation in Bengal
Supervisor: Richard Widdess
Nicoletta Demetriou
The Fones Discourse: Ideology and Practice in Greek Cypriot Folk Music
Supervisor: Richard Widdess
Shzr Ee Tan
Ecosystems of Amis Aboriginal Song in Taiwan
Supervisor: Rachel Harris
Sheng-Shih Chi
The Role of Popular Music in the Negotiation of Taiwanese Identity
Supervisor: Rachel Harris
Philip Alexander
Sounding Jewish in Berlin: Klezmer Musical Practice, Historical Memory and the Contemporary City
Supervisor: Ilana Webster-Kogen
Ruard W. Absaroka
Hidden Musicians and Public Musicking in Shanghai
Supervisor: Rachel Harris
Deirdre A. Morgan
Speaking in Tongues: Music, Identity, and Representation in Jew's Harp Communities
Supervisor: Keith Howard
Gavin Walker
Communicating Crisis: Musical Effervescence in South African HIV/AIDS Interventions
Nan Ma
A Case Study of Chinese (Mainland China) Music Industries' Revenue Protection within The Digital Environment
Supervisor: Keith Howard
Violeta Ruano-Posada
"Sahara Ma Timbah" ("The Sahara Is Not for Sale") Music, Resistance, and Exile in Saharawi Culture
Supervisor: Lucy Durán
Cassandre Balosso-Bardin
The Mallorcan Bagpipes (Xeremies): An Anthropological Portrait of an Instrument
Supervisor: Keith Howard
Great Lekakul
Prachan: Music, Competition, and Conceptual Fighting in Thai Culture
Supervisor: Nick Gray
Manuel Jimenez
Bamboo Power: Performance in Gamelan Jegog and comparisons with UK gamelan performance
Supervisor: Nick Gray
Joseph Browning
Cosmopolitan Natures: Music, Materiality and Place in the Global Shakuhachi Scene
Supervisor: Angela Impey
Flora Henderson
Contemporary composition for shakuhachi and western instruments: timbral gesturality in the analysis of cross-cultural music
Supervisor: Nick Gray
Hyun Seok Kwon
Cultural Globalization and the Korean Promotion Policy for Music Based on Tradition: A Study of the Activation Plan and Its Background
Supervisor: Keith Howard
Hyelim Kim
Winds of Change: Tradition and Creativity in Korean Taegum Flute Performance
Supervisor: Keith Howard
Jutamas Poprasit
The role of music in Thai funeral rituals in contemporary Bangkok: its history, performance and transmission
Supervisor: David Hughes
Kiku Day
Remembrance of Things Past: The Archaic Shakuhachi in Contemporary Contexts
Supervisor: Keith Howard
Saida Daukeyeva
Dombra Performance, Meaning and Memory among Mongolian Kazakhs
Supervisor: Owen Wright
Sara McGuinness
Grupo Lokito: A practice-based investigation into contemporary links between Congolese and Cuban popular music
Supervisor: Angela Impey
Christian Mau
Situating the Myoan Kyokai: A Study of Suizen and the Fuke Shakuhachi
Supervisor: David Hughes
Moshe Morad
Music as a ‘Space’ of Identity, Interaction and Escapism, among Gay Men in Special-period Havana
Supervisor: Lucy Durán
Sung-Hee Park
Patronage and Creativity in Seoul: The Late 18th to late 19th Century Urban Middle Class and Its Vocal Music
Supervisor: Rachel Harris
Jutamas Poprasit
The role of music in the Thai funeral ritual in contemporary Bangkok: its history, performance and transmission
Supervisor: David Hughes
Sabina Rakcheyeva
Music as Cultural Diplomacy: A Personal Journey Using Improvisation as a Creative Tool
Supervisor: Keith Howard
Ilana Webster-Kogen
The Azmari Paradox: Ethnicity, Identity, and Migration in Ethiopian-Israeli Music
Supervisor: Abigail Wood
Anna Yates-Lu
P'ansori Today: Reconciling Tradition and Creativity in Modern Society
Supervisor: Keith Howard