SOAS University of London

SOAS Journal of Postgraduate Research, Vol 8 (2015)

ISSN 2517-6226

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Introduction

Editorial

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Michael Erdman

Saviour of the Nation, Patron of the Bourgeoisie: A Bonapartist Characterisation of the Coup of 12 September 1980

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Ivan R. V. Rumánek

Analysis of Okuni Sōshi as Sources of the Earliest Kabuki

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Massimiliano Lacertosa
The Artworld and the Institutional Theory of Art

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Julia Lisiecka

Re-reading Huda Shaarawi’s “Harem Years”– Bargaining with the Patriarchy in the Changing Egypt

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Anaïs Da Fonseca

Contemporary Lives of Cherial Paintings from Telangana India: Notes on the Relations between Fieldwork and Thesis Structures

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Violeta Ruano-Posada
Book Review: My Voice is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance

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Anaïs Da Fonseca

Book review: Deccani Scroll Paintings in the Jagdish and Kamla Mittal Museum of Indian Art

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About the Authors

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