Hannah Bates

Tocando Tumbao: performance perspectives on Cuban pianism
- Email: 245982@soas.ac.uk
Tocando Tumbao: performance perspectives on Cuban pianism
Dyslexia, Sensory Ethnomusicology, and Chopi timbila Xylophone Music in Mozambique
Growing Through Music: Developing Teaching For Personal and Social Outcomes within Instrumental Music Teaching in UK
Paiziluo Shawm and Percussion Bands in Hubei Province (China) and Social Changes
The Course of the Hand: Formulas, Creativity and Processes of "Improvisation" in Mande Kora Music
Metal Music and its Relationship to Folk Music and National Identity in the Middle East
Listening to New Raï: Algerian identities in the 21st century.
A Reflexive Study of Music Practice in a UK Paediatric Hospital Setting
Singing Sufis in Text: Indo-Persian Music and Sufi Poetics ca. 1250-1600
Evaluate Takemitsu Approaches for Integrating World Music's - Portable Music & Non-Portable Music
Music as a Method for Sustaining and Revitalising the Ainu Language and Identity
Archives of Sri Lanka's Musical Legacies: The Sindu, Kavi, and Sivupada Song Texts of the Nevill Collection as Refractions of Sri Lanka and its Musical Practices, Past and Present
Activism and Urbanism in Contemporary Indigenous Music-Making in Australia
The Music and Culture of the Korean Diaspora in the UK
Listening, Khaleeji-Style
Indian Rhythm and Life Writing in Cross-Sensory Composition (Practice Research)
Portraits of Objects: Emperor Yongzheng's 'Guwan tu' and the Agency of Artefacts across Media
The Co-production of Nuclear Technology and Global Political Order
Indian Rhythm and Life Writing in Cross-Sensory Composition (Practice Research)
Contemporary Indigenous Australian art and private display histories in London
(The Buchu Edit: Representations of Africa and residues of empire in the wellness and wellbeing industry with special reference to the Cape of Good Hope)
Decolonising the Visual Archive of Salvatore Fiume (1915-1997): Italian Encounters with Postcolonial Africa
Collecting Chinese Art in Hong Kong during the 20th Century: Appropriation and Location
Intertextual Presentation of Individuality in Qing Biography Landscape: A Reinvention of Ming Wu School Sobriquet Painting (working title)
The Origin, Development and Classification of Trompe L’oeil Porcelain in High Qing China
Artists and Cultural spaces in Kyŏngsŏng (Seoul) during the 1930s
Changes beyond the surface: Tracking the relationship between paper-making and human change in the Indus river basin region from 1000-1947 through a study of historical paper specimens
On the use of human remains in Tibetan ritual objects
A Different Type of Tea? British Collecting of Ceramics for Tea gatherings from Meiji Japan: the British Museum and Maidstone Museum Collections
Collecting in Public and Private: The Ionides Collection of Chinese Export Porcelain, 1920-1970
Onari: Art, Ritual and Power in Early Modern Japan
The Development of Political Economy and Social Formation of the Marginal Polities on the Salween River Basin, Northwestern Thailand During the first millennium CE to the mid-second millennium CE
A Study of the Zoomorphic Incense Burners of Medieval Khurasan
Art for the people and democracy: Socio-political Art Movements in Japan from the 1920s to the early 1930s
Deconstructing the Historical Metanarrative of Thai Art and Archaeology: The Emergence of Artistic Styles in the Pre-Ayutthaya Period, or ‘Uthong Art,’ during the Thirteenth and Fourteenth Centuries
Revisiting the 'Prakhon Chai' Hoard, an enigmatic group of bronzes that came to light in current-day Northeast Thailand in mid-1960s
Portraits of Objects: Emperor Yongzheng's 'Guwan tu' and the Agency of Artefacts across Media
Signs of a region: in search of the aesthetic imagination of Southeast Asia after 1948 (working title)
Issues in the curation of Champa art in Vietnam: On stylistic chronology, museum identity and object authenticity
Tracing Visual Evidence of Esoteric Buddhism in the Sculptures of Swat, Gilgit and Kashmir in the mid-6th to the mid-9th century
Early Silk Road photography: A case study of how and why Dr. Maynard Owen Williams, Litt. D. (1888-1963) photographed the Silk Road during the Citroen-Haardt Trans-Asiatic Expedition (1931-1932)
Hidden in Plain Sight: Contemporary Art Practices of Resistance in China, 2007-2018.
Heritage as accumulated meaning: Transactions, appropriation and biographies of Hindu-Buddhist materials in pre-modern Indonesia (working title)
A Comparative Study of Women's Buddhist Patronage in Joseon Korea and Edo Japan
Contesting convention: Contemporary art within the political landscape of post-Soviet Central Asia
An investigation into the meaning and significance of the exhibitions of Chinese art at the Whitechapel Art Gallery between 1901 and 1934
Visual Representations of the Korean Nation State in the 1880s-1910s
Beyond the Masterpiece: Function and Design of Divine Adornment in Angkorian Cambodia (9th-14th c.).
Art Movements their regional Cross-Currents in the GCC (Working Title)
The significance of glazed ceramics in the economic life and trade networks of the Buddhist kingdoms of Myanmar in the 14th to 18th century
Art as a Tool: Comparative Study of the Centralisation and Manipulation of the Art Scene in Japan in the 1900s and in Korea in the 1920s
Post Medieval Monastic and Vernacular Architecture within Northern Ethiopia
The Public Disseminations of Chao Shao-an (1905-1998)’s Art and the Construction of Geographical Identities among Cantonese communities across Asia-Pacific, c. 1950s-2010s.
Utopia, Nostalgia and Escapism: Art in South Korea during the Korean War, 1950-53
The Global Portrait: Subject, Site and Temporality in Portraiture of the Long Seventeenth Century in China (working title)
Revealing the Religious Landscape at Bhaja, Bedsa and Karle, Buddhist Rock-cut Monasteries
Transnational Korean Stardom in Chinese Screen Media, 2000-2016
From score to song - The rise of the ‘star composer’ and the role of music in contemporary anime
Representing Sexual Politics in Walled Societies: A Comparative Study of Chinese and Iranian Cinemas since the Late 1990s (Working title)
Contemporary Representations of the African Diaspora in the Films, Music Videos and Commercial Works of Kahlil Joseph
Contemporary Representations of the African Diaspora in the Films, Music Videos and Commercial Works of Kahlil Joseph
An Analysis of Family and Gender Roles in Japanese Television Drama
Fragmented Memory In an Invented Land: The Absence of History in the Abacha Dictatorship of Nigeria
“Awarding Africa” from the Caine to the Commonwealth: First Books, First Prizes, & Women Writers
Affects of Shame: Questions of Authorial Ethics in Contemporary Postcolonial Writing and Film
Women of the British Colonial Service: Contested Identities and Liminal Lives, 1936 – 1961