What is Hinamatsuri? The history of celebrating Girls' Day in Japan An introduction by the SOAS Language Centre to Hinamatsuri, a Japanese festival celebrating and appreciating the life and health of daughters.
Eliane Correa: “Don’t be afraid of being passionate” An interview with SOAS alumna, Eliane Correa about her career as a pianist, MD and composer.
Careers: "Studying at SOAS had a massive impact on my career as a lawyer in Dubai" Noura Abughris shares her experiences studying LLB at SOAS and her career so far as an Associate working in Dubai.
Is disinformation during natural disasters an emerging vulnerability? The weaponisation of information is nothing new. But increasingly, disaster disinformation is offering unique conditions for powerful influence campaigns to go against communities at their most vulnerable.
Healing through sound: SOAS alumna Ruhiya returns to perform Ahead of her concert at SOAS, alumna Ruhiya spoke to student Shloka about how she uses music as a way to heal and reconnect with her heritage.
Riots in Knowsley: How the state perpetuates violence in asylum accommodation "This is our city". The anti-asylum violence at accommodation centres starts with state-led violent border management policies seen around the world.
How do you research Afghanistan's state, society and people during a crisis? Since the revival of Taliban rule, researching Afghanistan has become increasingly challenging. A series of workshops at SOAS aims to decolonise research and cultivate spaces for scholars and practitioners working on Afghanistan and the diaspora.
The Gas Industrial Complex: Vast profits, imperial roots and ecological destruction The global fossil industry is rooted in colonialism in its pernicious and relentless pursuit of fuel. However, there is growing resistance from environmentalist organisations fighting for their livelihoods and communities.
Looted art and missing context of Indian history at the British Museum Digital Ambassador Nidhi visits the Indian exhibit at the British Museum and argues that what is missing in a gallery tells its own story.