'Portraits in White'
Key information
- Date
- Time
-
3:45 pm to 4:30 pm
- Venue
- SOAS Main Building
- Room
- C429
- Event type
- Seminar
About this event
The Centre of Taiwan Studies is delighted to welcome Kaori Lai Hsiang-Yin to share the new translated book, Portraits in White.
After the Chinese Civil War, the Kuomintang imposed authoritarian rule on Taiwan in the name of anticommunism. The White Terror, as martial law and state repression were known, would last for decades, casting a pall of uncertainty and fear over Taiwanese society—and its legacies still haunt Taiwan today. Kaori Lai’s Portraits in White explores everyday life under the White Terror, illuminating how the violence of martial law pervades even the most mundane moments.
The book is composed of three novellas, each telling the story of an ordinary person. Mr. Ch’ing-chih, a schoolteacher, keeps his head down and avoids harming others despite pressure to do intelligence work. Ms. Wen-hui, an old woman who had served as a housekeeper for elites of different backgrounds since the Japanese occupation, faces death alone in the digital age. Ms. Casey, discriminated against for not being of mainlander descent, moves to Europe and must navigate the politics of diaspora. Even if only alluded to obliquely, the White Terror always hovers in the background, shaping the characters’ experiences and inner worlds. Elegantly written and keenly observed, Portraits in White provides a panoramic view of the ways authoritarianism seeps into daily life.
For this event, the author Kaori Lai will first identify the novel’s historical setting through a generational lens, outlining the characters and the circumstances of their lives. She will also reflect on her own generation and the motivations that drive her writing.
(Image credit: Liao Je Wei via Unsplash)
About the speaker
Kaori (Lai, Hsiang-yin) was born in Taiwan in 1969 and emerged as a promising voice in fiction in the 1990s. She then focused on academic research in Japan on colonial-era Taiwan and worked at the Taiwan Literature Museum. In the 2010s, she returned to literary creation, winning the Taiwan Literature Award twice for After That (2012) and Portrait in White(2022). Her works depict the landscapes of Taiwan across different eras through the lens of personal memory.