Lecturer in Ethnomusicology
- Dr Richard Williams
- Email address:
- 020 7898 4687
- SOAS University of London
Thornhaugh Street, Russell Square, London WC1H 0XG
- Russell Square: College Buildings
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- Academic Support Hours:
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Richard Williams joined SOAS in 2017, following a Leverhulme Early Career Fellowship at the University of Oxford (2015-17). Having originally studied Theology and then Modern South Asian Studies at the University of Oxford, his research brings music and sound studies into conversation with the study of religion and Indian cultural history. He received his PhD from the Music Department at King’s College London, with a doctoral thesis on the impact of colonialism on Hindustani music in the nineteenth century. He is currently finalizing his first monograph, on the circulation of musicians, genres, and musicologists between upper India and Bengal between c.1750-1900. In connection to this project, he has written on Bengali-language musicology, the performance repertoires of courtesans, and sound arts in Shi’ah Islam. His wider work has explored musical culture in seventeenth- and eighteenth-century South Asia, the history of emotions, and the place of music in the theology and contemporary religious practices of a Hindu sect, the Radhavallabh Sampraday. His research languages are Hindi, Brajbhasha, Bengali, Urdu, and Maithili.
Richard Williams’ research focuses on Hindustani classical music and popular devotional music in Hinduism. His work is particularly interested in the intersection of music and literature, and how sonic practices and musical repertoires circulate in multilingual settings. His research deploys a variety of approaches to explore a broad range of sources from early modern, colonial and contemporary South Asia.
He is currently finalizing his first book, Soundscapes of Empire: Hindustani Court Culture in Colonial Bengal, 1750-1900, which examines how Hindustani music evolved under colonialism. The book reconstructs an interregional, multilingual conversation about the aesthetics of elite art music, and explores the movement of patrons, theorists, and musicians between Hindustan and Bengal. At its centre, the book provides a study of the court-in-exile of the last Nawab of Awadh, Wajid ‘Ali Shah, and the thirty years he spent in Calcutta (1856-1887), and traces the passage of musicians and musical practices from Lucknow to colonial Bengal.
His second project, “Beyond the Local: Vernacular Aesthetics in Late Mughal North India”, took shape through a Leverhulme Early Career Fellowship at the University of Oxford (2015-2017). This research focuses on the aesthetics of music and sound in the eighteenth century, and reconsiders the historical development of Hindustani classical music. Themes within this project include the circulation of songs across the subcontinent, musicologists and litterateurs in courtly and religious contexts, and the relationship between sound, painting, and poetry. A major consideration in this project is the labour and intellectual contributions of women, and the role of musical practices in early modern understandings of gender. Richard also researches the aesthetic theology and performance culture of a north Indian Hindu sect, the the Radhavallabh Sampraday, and sound arts in South Asian Islam.
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- Short Term Consultancy
Williams, Richard David and Mahmood, Rafay (2020) 'A Soundtrack for Reimagining Pakistan? Coke Studio, memory, and the music video'. BioScope: South Asian Screen Studies, (10) 2, pp 111-128.
Williams, Richard (2019) 'Playing the Spinal Chord: Tantric Musicology and Bengali Songs in the Nineteenth Century'. Journal of Hindu Studies, (12) 3, pp 319-338.
Williams, Richard David (2019) 'Reflecting in the Vernacular: Translation and Transmission in Seventeenth- and Eighteenth-Century North India'. Comparative Studies of South Asia, Africa and the Middle East, (39) 1, pp 96-110.
Williams, Richard (2017) 'Songs between cities: Listening to courtesans in colonial north India'. Journal of the Royal Asiatic Society, (27) 4, pp 591-610.
Williams, Richard (2017) '穆尔希达巴德的音乐——18世纪孟加拉地区的艺术家和赞助人 [Mu'erxidabade de Yinyue: 18 Shiji Mengjiala Diqu de Yishujia he Zanzhuren]'. Yafei Yanjiu: Journal of Asian and African Studies, (11) 1, pp 70-85.
Williams, Richard David (2016) 'Krishna's Neglected Responsibilities: Religious devotion and social critique in eighteenth-century North India'. Modern Asian Studies, (50) 5, pp 1403-1440.
Williams, Richard David (2016) 'Music, Lyrics, and the Bengali Book: Hindustani Musicology in Calcutta, 1818–1905'. Music and Letters, (97) 3, pp 465-495.
Williams, Richard David (2020) 'Sounding Out the Divine: Musical Practice as Theology in Samāj Gāyan'. In: Flood, Gavin, (ed.), Hindu Practice. Oxford University Press, pp 336-355. [Forthcoming]
Williams, Richard (2018) 'A Theology of Feeling: The Radhavallabhi Monsoon in the Eighteenth Century"'. In: Rajamani, Imke and Pernau, Margrit and Schofield, Katherine Butler, (eds.), Monsoon Feelings: A History of Emotions in the Rain. New Delhi: Niyogi Books, pp 71-96.
Williams, Richard (2018) 'A Storm of Songs: India and the Idea of the Bhakti Movement. By John Stratton Hawley. (Cambridge, Massachusetts: Harvard University Press, 2015. Pp.xiv+438.)'. History of Religions, (57) 4, pp 446-449.
Williams, Richard David (2016) 'Review of PhD thesis, “Brahmans Beyond Nationalism, Muslims Beyond Dominance: A Hidden History of North Indian Classical Music’s Hinduization" by Justin Scarimbolo' Dissertation Reviews.
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