Dwyer, Rachel (2014) Picture abhi baaki hai: Bollywood as a guide to modern India. New Delhi: Hachette.
Dwyer, Rachel (2014) Bollywood’s India: Hindi cinema as a guide to contemporary India. London, UK: Reaktion Books.
Dwyer, Rachel (2013) Get started in Gujarati (Teach Yourself Language). London: Teach Yourself/Hodder.
Dwyer, Rachel (2008) What do Hindus believe?. London: Granta.
Dwyer, Rachel (2006) Filming the Gods: Religion and Indian Cinema. Abingdon: Routledge.
Dwyer, Rachel (2005) 100 Bollywood films. London: British Film Institute.
Dwyer, Rachel and Patel, D. (2002) Cinema India. The Visual Culture of the Hindi Film. London: Reaktion Books.
Dwyer, Rachel (2002) Yash Chopra. British Film Institute.
Dwyer, Rachel (2000) All you want is money, all you need is love: sex and romance in modern India.. Cassell (London).
Dwyer, Rachel (2000) The poetics of devotion: the Gujarati lyrics of Dayaram. Richmond: Curzon.
Dwyer, Rachel (1995) Gujarati: a complete course for beginners. London: Hodder and Stoughton.
Dwyer, Rachel (2017) 'Calling God on the wrong number: Hindu-Muslim relations in PK (2014) and Bajrangi Bhaijaan (2015)'. The Muslim World, (107) 2, pp 256-270.
Dwyer, Rachel (2015) 'Vighnaharta Shree Siddhivinayak: Ganesh, Remover of Obstacles, Lord of Beginnings, in Mumbai'. Comparative Studies of South Asia, Africa and the Middle East, (35) 2, pp 263-276.
Dwyer, Rachel (2013) 'My Lord, the elephant'. Seminar: The Monthly Symposium, (651), pp 39-42.
Dwyer, Rachel (2013) 'The biggest star of all: the elephant in Indian cinema'. Religions of South Asia, (7), pp 195-210.
Dwyer, Rachel (2013) 'Fire and Rain, The Tramp and The Trickster: romance and the family in the early films of Raj Kapoor'. The South Asianist: Journal of South Asian Studies, University of Edinburgh, (2) 3, pp 9-32.
Dwyer, Rachel (2011) 'The case of the missing Mahatma: Gandhi and the Hindi cinema'. Public Culture. Special issue edited by Ritu Birla and Faisal Devji, (23) 2, pp 349-376.
Dwyer, Rachel (2010) 'Hindi films and their audiences'. Marg. A Magazine of the Arts, (61) 3, pp 30-39.
Dwyer, Rachel (2010) 'I am Crazy about the Lord: The Muslim Devotional Genre in Hindi Film'. Third Text, (24) 1, pp 123-134.
Dwyer, Rachel (2010) 'Bollywood’s India: Hindi cinema as a guide to modern India (Based on inaugural lecture, Feb 5, 2008)'. Asian Affairs, (41) 3, pp 381-398.
Dwyer, Rachel (2009) 'Phalke, Dhundiraj Govind [known as Dadasaheb Phalke] (1870-1944)'. Dictionary of National Biography.
Dwyer, Rachel (2002) 'Real and imagined audiences: Lagaan and the Hindi film after the 1990s.'. Etnofoor, (Vol. 1), pp 177-193.
Dwyer, Rachel (2000) 'The erotics of the wet sari in Hindi films'. South Asia: Journal of South Asian Studies, (23) 2, pp 143-159.
Dwyer, Rachel (2000) '"Indian values" and the diaspora: Yash Chopra�s films of the 1990s'. West Coast Line, (32-34) 2, Autumn, pp 6-27.
Dwyer, Rachel (1998) 'Hindi romantic cinema: Yash Chopra’s Kabhi Kabhie and Silsila'. South Asia: Journal of South Asian Studies, pp 181-212.
Kidambi, Prashant and Kamat, Manjiri and Dwyer, Rachel, (eds.), (2019) Bombay before Mumbai: Essays in honour of Jim Masselos.. London/New York: Hurst Publishers/Oxford University Press.
Dharampal-Frick, Gita and Dwyer, Rachel and Kirloskar, Monika and Phalke, Jahnavi, (eds.), (2015) Key concepts in modern Indian studies. New Delhi/New York: Oxford University Press/New York University Press.
Dwyer, Rachel, (ed.), (2015) Bollywood. London: Routledge. (Critical concepts in media and cultural studies).
Dwyer, Rachel and Pinto, Jerry, (eds.), (2011) Beyond the boundaries of Bollywood: the many forms of Hindi cinema. New Delhi: Oxford University Press.
Dwyer, Rachel and Pinney, Christopher, (eds.), (2000) Pleasure and the nation: the history, consumption and politics of public culture in India. New Delhi: Oxford University Press. (SOAS studies in South Asia).
Dwyer, Rachel (2019) 'Bollywood and America: an overview'. In: Jhaveri, Shanay, (ed.), Outsider films on America. Mumbai: Shoestring Publishers, pp 140-161.
Dwyer, Rachel and Ashton, Helen (2019) 'I do fatafat constipation with goras in tiptop gora English: Hinglish and English accents and language in Jab tak hai jaan (2012)'. In: Orsini, Francesca, (ed.), Hinglish. Hyderabad: Orient Blackswan. [Forthcoming]
Dwyer, Rachel (2018) 'Rimjhim ke taraane leke aayi barsaat’: Songs of love and longing in the Bombay rains.'. In: Rajamani, Imke and Pernau, Margrit and Butler Schofield, Katherine, (eds.), Monsoon Feelings: A History of Emotions in the Rain. New Delhi: Niyogi Books, pp 291-314.
Dwyer, Rachel (2018) 'Jaffrey, Saeed (1929-2015)'. Oxford Dictionary of National Biography. Oxford, UK: Oxford University Press.
Dwyer, Rachel (2016) 'Mumbai Middlebrow: ways of thinking about the middle ground in Hindi cinema'. In: Faulkner, Sally, (ed.), Middlebrow Cinema. Abingdon: Routledge, pp 51-68.
Ashton, Helen and Dwyer, Rachel (2016) 'Get on the train, baby!: Joining Kashmir and Kanyakumari through Hinglish and English accents and language in Chennai Express (2013)'. In: Majumdar, Neepa and Mazumdar, Ranjani, (eds.), Blackwell Companion to Indian Cinema. Oxford: Blackwell. [Forthcoming]
Dwyer, Rachel (2016) 'Afterword'. In: Beaster-Jones, Jayson and Sarrazin, Natalie, (eds.), Music in contermporary Indian film: memory, voice, identity. Abingdon; New York: Routledge, pp 192-198.
Dwyer, Rachel (2015) 'I am Crazy about the Lord: The Muslim Devotional Genre in Hindi Film'. In: Ali, Nobil Ahmad, (ed.), Cinema in Muslim Societies. Abingdon; New York: Routledge, pp 118-129.
Dwyer, Rachel (2015) 'Innocent abroad: Shah Rukh Khan, Karan Johar and the diasporic star'. In: Dudrah, Rajinder and Mader, Elke and Fuchs, Bernhard, (eds.), Shah Rukh Khan and global Bollywood. New Delhi: Oxford University Press, pp 49-69.
Dwyer, Rachel (2015) 'A star is born?: Rishi Kapoor and dynastic charisma in Hindi cinema.'. In: Cobb, Shelley and Ewen, Neil, (eds.), First comes love: Power couples, celebrity kinship, and cultural politics.. New York, NY: Bloomsbury, pp 96-115.
Dwyer, Rachel (2015) 'I love you when you’re angry: Amitabh Bachchan, the star and emotion in the Hindi film'. In: Bandhauer, Andrea and Royer, Michelle, (eds.), Stars in World Cinema: Screen Icons and Star Systems Across Cultures. London: IB Tauris, pp 13-23.
Dwyer, Rachel (2014) 'The biopic of the new middle classes in contemporary Hindi cinema.'. In: Brown, Tom and Vidal, Belen, (eds.), The Biopic in Contemporary Film Culture. London: Routledge, pp 68-83.
Dwyer, Rachel (2013) 'Bollywood's empire: Indian cinema and the diaspora.'. In: Chatterjee, Joya and Washbrook, David, (eds.), Routledge handbook of South Asian diaspora. London: Routledge, pp 407-416.
Dwyer, Rachel (2013) 'Happy ever after: Hindi films and the happy ending.'. In: Ssorin-Chaikov, Nikolai, (ed.), The topography of happiness from the American dream to postsocialism/ Топография счастья от Американской мечты к пост-социализму. Moscow: New Literary Observer [Novoe Literaturnoe Obozrenie], pp 357-402.
Dwyer, Rachel (2013) 'The Hindi film biopic'. In: Rosenstone, Robert and Parvulescu, Constantin, (eds.), The Blackwell Companion to Historical Film. Oxford: Blackwell, pp 219-232.
Dwyer, Rachel (2013) 'Le cinéma indien'. In: Bates, Karine and Boisvert, Mathieu and Granger, Serge and Jaffrelot, Christophe, (eds.), L'Inde et ses avatars: Pluralité d'une puissance. Montreal: Les Presses de l’Université de Montréal, pp 275-306.
Dwyer, Rachel (2011) 'Bombay Gothic: 60 years of Mahal/The mansion, dir. Kamal Amrohi, 1949'. Beyond the boundaries of Bollywood: the many forms of Hindi cinema. Delhi: Oxford University Press, pp 130-155.
Dwyer, Rachel (2011) 'Zara hatke!: The new middle classes and the segmentation of Hindi cinema'. In: Donner, Henrike, (ed.), Being middle-class in contemporary India: A way of life.. London: Routledge, pp 184-208.
Dwyer, Rachel (2009) 'Bimal Roy: a different kind of Hindi cinema'. In: Bhattacharya, Rinki, (ed.), Bimal Roy: the man who spoke in pictures. New Delhi: Penguin, pp 162-171.
Dwyer, Rachel (2009) 'Ich mag es, wenn du zornig wirst: Amitabh Bachchan, Emotionen und Stars im Hindi-film'. In: Tieber, Claus, (ed.), Fokus Bollywood: das indische Kino in wissenschaftlichen Diskursen. Münster: Lit. Verlag, pp 99-115.
Dwyer, Rachel (2009) 'Depictions of and by religious practitioners in films: Hinduism'. In: Lyden, John, (ed.), Routledge companion to religion and film. New York: Routledge, pp 141-161.
Dwyer, Rachel (2007) 'Indian cinema'. In: Cook, Pam, (ed.), The cinema book. London: British Film Institute, pp 221-223.
Dwyer, Rachel (2006) 'Planet Bollywood: Hindi film in the UK.'. In: Sayyid, SHasan and Ali, N and Kalra, VS, (eds.), Postcolonial people: South Asians in Britain.. London: Hurst & Co. (UK), pp 366-375.
Dwyer, Rachel (2006) 'The saffron screen?: Hindi movies and Hindu nationalism'. In: Meyer, B. and Moors, A., (eds.), Religion, media and the public sphere. Bloomington: Indiana University Press, pp 422-460.
Dwyer, Rachel (2006) 'Kiss or Tell? Declaring Love in Hindi Films'. In: Orsini, F., (ed.), Love in South Asia. A Cultural History. Cambridge: Cambridge University Press, pp 289-302.
Dwyer, Rachel (2006) 'The goddess in Indian film.'. Goddess: divine energy.. Sydney: Art Gallery of New South Wales, pp 153-155.
Dwyer, Rachel (2005) 'Cinema'. In: Cush, D. and Robinson, C. and York, M., (eds.), The encyclopaedia of Hinduism. London: Routledge Curzon.
Dwyer, Rachel (2004) 'Yeh shaadi nahin ho sakti! (This wedding cannot happen!)'. In: Jones, GW and Ramdas, K, (eds.), (Un)tying the knot: ideal and reality in Asian marriage. Singapore: Asia Research Institute, National University of Singapore., pp 59-90.
Dwyer, Rachel (2004) 'International Hinduism: the Swaminarayan sect.'. In: Jacobsen, KA and Kumar, P, (eds.), South Asians in the diaspora: historiesand religious traditions.. Brill (Netherlands), pp 180-199.
Dwyer, Rachel (2004) 'Representing the Muslim: the 'courtesan film' in Indian popular cinema.'. In: Parfitt, T and Y.Egorava, , (eds.), Mediating the other: representations of Jews, Muslims and Christians in the media.. Routledge/Curzon (UK), pp 78-92.
Dwyer, Rachel (2002) 'Landschaft der Liebe: die indischen Mittelschichten,die romantische Liebe und das Konsumdenken.'. In: Schneider, A, (ed.), Bollywood: das indische Kino und die Schweiz.. Museum fur Gestaltung, Zurich (Switzerland), pp 97-105.
Dwyer, Rachel (2000) 'Shooting Stars: the Indian film magazine Stardust'. In: Dwyer, Rachel and Pinney, C, (eds.), Pleasure and the nation: the history, consumption and politics of public culture India. India: Oxford University Press, pp 247-85.
Dwyer, Rachel (2000) 'Bombay Ishtyle'. In: Bruzzi, S and Gibson, P, (eds.), Fashion Cultures: theories, explorations and analysis. Routledge (London), pp 178-190.
Dwyer, Rachel (1998) '“Starry nights”: the novels of Shobha Dé'. In: d'Haen, Theo, (ed.), (Un)writing empire. Amsterdam: Rodopi, pp 117-133.
Dwyer, Rachel (1994) 'Caste, religion and sect in Gujarat: followers of Vallabhacharya and Swaminarayan'. In: Ballard, Roger, (ed.), Desh pardesh: the South Asian experience in Britain. Hurst, pp 165-190.
Dwyer, Rachel (2013) 'Trunk Lines'. The Times Literary Supplement.
Dwyer, Rachel (2017) 70 iconic movies of independent India.
Dwyer, Rachel (2017) Why is govt neglecting Bollywood, a major source of soft power?.
Dwyer, Rachel (2016) The Rachel Papers.
This list was last generated on Saturday, 23rd January 2021, 11:19 Europe/London.