Reader in Ethnomusicology
Reader in Ethnomusicology, Research Coordinator
Academic Staff, SOAS China Institute
Academic Staff, Centre of Contemporary Central Asia and the Caucasus
- Dr Rachel Harris
- Email address:
- 020 7898 4513
- SOAS University of London
Thornhaugh Street, Russell Square, London WC1H 0XG
- Russell Square: College Buildings
- Office No:
- Office Hours:
- Tuesdays 11-1
Rachel Harris came to the discipline of ethnomusicology through the MMus at SOAS following a first degree in Chinese studies. Her Ph.D. (now published as Singing the Village, OUP) focused on a small minority people in China’s northwestern region of Xinjiang, exploring issues of identity, musical change, and the musical construction of place. Her research continues to centre on the region of Xinjiang, and especially on the music of the Muslim Central Asian Uyghurs, but also encompasses broader perspectives on Chinese music, including an edited volume on gender in Chinese music.
Rachel has over ten years experience teaching ethnomusicology at all levels of the curriculum at SOAS, including our core theoretical survey courses for undergrduate and postgraduate students. She has developed an introductory course for 1st year undergraduates, and regional courses in Chinese and Central Asian music, focusing on musical traditions as well as pop and politics.
On the practical or applied side, Rachel is engaged with contemporary ‘Silk Road’ traditional and fusion recording projects. She is actively engaged with Chinese music performance and research in Europe, hosting concerts and workshops at SOAS, acting as Chair for the London Jingkun Opera Society, and serving on the board of CHIME. At SOAS music performance is emphasised as a core method of engaging with musical form and style, complementing our academic teaching and research. Rachel led the Chinese jiangnan sizhu silk-and-bamboo group for several years, and played suona in the SOAS Chinese shawm band. She currently leads a Central Asian group, working with Uyghur musicians in London.
My research projects include the canonisation of traditional repertoire: a modern history of the Uyghur Twelve Muqam which situates the modernisation of this repertoire in the context of similar nationalist projects across the Islamic world. In my work on globalisation and pop, I trace the contemporary transnational flows of styles like reggae, flamenco and Hindi film music into the region of Xinjiang (once a hub of the ‘Silk Road’). Forthcoming articles focus on the Uyghur diaspora and music on the internet. I am an active fieldworker: another current project focuses on Muslim women’s ritual practices in rural Xinjiang, framed within anthropological approaches to the performance of emotion.
I currently lead the AHRC Research Network, ‘Sounding Islam in China’, which uses sound as a key medium through which to explore the shifting nature of religious practice, meaning and power in contemporary China. http://www.soas.ac.uk/music/events/islamic-soundscapes-of-china/
Research students I have supervised include:
- Ruard Absaroka (Musicking in the Digital Age in Shanghai).
- Shino Arisawa (Continuity and change in Japan’s Jiuta-Sôkyoku tradition).
- Sau-Ping Lim (Nanyin activities in the Jinjiang region of Fujian).
- Min-Yen Ong (Heritage or Heresy? Safeguarding Kunqu in China Post‐2001).
- Will Sumits (The evolution of the maqam tradition in Central Asia: from the theory of 12 maqam to the practice of shashmaqam).
- Sun Zhuo (The Chinese zheng: 20th and 21st century transformations).
- Shzr-ee Tan (Eco-systems of Taiwanese Aboriginal song).
Harris, Rachel (2008) The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam. Aldershot: Ashgate Press.
Harris, Rachel (2004) Singing the Village. Music, Memory, and Ritual amongst the Sibe of Xinjiang.. Oxford: Oxford University Press.
Harris, Rachel and Jaschok, Maria (2015) 'Introduction: Sounding Islam in China'. Performing Islam, (3) 1-2, pp 3-13.
Harris, Rachel (2015) 'The Changing Uyghur Religious Soundscape'. Performing Islam, (3) 1-2, pp 93-114.
Harris, Rachel and Isa, Aziz (2015) 'Hearing Islam via smartphone: the changing sounds of Uyghur religiosity'. Central Asian Survey. [Submitted]
Harris, Rachel (2014) 'The Oil is Sizzling in the Pot’: Sound and Emotion in Uyghur Qur'anic Recitation'. Ethnomusicology Forum, (23) 3, pp 331-359.
Harris, Rachel (2012) 'Tracks: temporal shifts and transnational networks of sentiment in Uyghur song'. Ethnomusicology, (56) 3, pp 450-475.
Harris, Rachel (2011) 'Invitation to a mourning ceremony: perspectives on the Uyghur internet'. Inner Asia, (13) 1, pp 27-49.
Harris, Rachel (2005) 'Reggae on the Silk Road: the Globalisation of Uyghur Pop'. The China Quarterly, (183) 1, pp 627-643.
Harris, Rachel (2005) 'Wang Luobin: Folksong King of the Northwest or Song Thief? Copyright, Representation and Chinese Folksongs'. Modern China, (31) 3, pp 381-408.
Harris, Rachel and Dawut, R. (2002) 'Mazar festivals of the Uyghurs: Music, Islam and the Chinese State'. British Journal of Ethnomusicology, (vol. 1), pp 101-118.
Harris, Rachel (2000) 'From Shamanic Ritual to Karaoke: the (trans)migrations of a Chinese folksong'. CHIME, (14/15), pp 48-60.
Harris, Rachel and Pease, Rowan, (eds.), (2015) Pieces of the Musical World: Sounds and Cultures. Abingdon: Routledge.
Harris, Rachel and Stokes, Martin, (eds.), (2015) Tuning the Past: Theory and Practice in the Music of the Islamic World. Farnham: Ashgate. (SOAS Musicology Series). [Submitted]
Harris, Rachel and Pease, Rowan and Tan, Shzr Ee, (eds.), (2013) Gender in Chinese Music. Rochester: University of Rochester Press. (Eastman/Rochester Studies Ethnomusicology).
Bellér-Hann, Ildiko and Césaro, Cristina and Harris, Rachel and Smith-Finley, Joanne, (eds.), (2007) Situating the Uyghurs: between China and Central Asia. Aldershot: Ashgate Press.
Harris, Rachel (2018) '‘A Weekly Meshrep to Tackle Religious Extremism’: Intangible cultural heritage in Xinjiang'. In: Roberts, Sean and Bovingdon, Gardner, (eds.), “Develop the West”: Chinese State Development and Uyghur Cultural Resilience, Adaptation, and Cooptation in Xinjiang. Bloomington, IN: Indiana University Press. [Forthcoming]
Marriage, Zoe (2015) '"Grande Mestre": Longing and celebration in Capoeira Angola (Brazil)'. In: Harris, Rachel and Pease, Rowan, (eds.), Pieces of the Musical World: Sounds and Cultures. Abingdon: Routledge.
Harris, Rachel (2015) '“Subhan’Allāh” (Glory to God): Listening and Weeping in
a Dhikr Ceremony'. In: Harris, Rachel and Pease, Rowan, (eds.), Pieces of the Musical World: Sounds and Cultures. Oxon; New York: Routledge, pp 123-138.
Harris, Rachel (2015) 'Theory and practice in contemporary Central Asian Maqām'. Tuning The Past: Theory And Practice In The Music Of The Islamic World. Farnham: Ashgate. [Forthcoming]
Harris, Rachel (2013) 'Doing Satan’s Business: Negotiating gendered concepts of music and ritual in rural Xinjiang'. In: Harris, Rachel and Pease, Rowan and Tan, Shzr Ee, (eds.), Gender in Chinese Music. Rochester: University of Rochester Press.
Harris, Rachel (2013) 'Harmonizing Islam in Xinjiang: sound and meaning in rural Uyghur religious practice'. In: Bellér-Hann, Ildiko and Brox, Trine, (eds.), On the Fringes of the Harmonious Society: Tibetans and Uyghurs in Socialist China. Copenhagen: NIAS Press, pp 293-317.
Harris, Rachel (2012) 'The Uyghur Muqam'. In: Levin, Theodore and Kuchumkulova, Elmira, (eds.), Music of Central Asia: an Introduction. Naryn: Aga Khan Trust for Culture & University of Central Asia, pp 251-260.
Harris, Rachel (2009) 'National Traditions and Illegal Religious Activities in Chinese Central Asia'. In: Nooshin, L., (ed.), Sounds of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate Press, pp 165-185.
Harris, Rachel (2009) 'Abdulla Mäjnun: Muqam Expert'. In: Rees, H., (ed.), Lives in Chinese Music. Urbana: University of Illinois Press.
Harris, Rachel (2007) 'Situating the Twelve Muqam: Between the Arab World and the Tang Court'. In: Beller-Hann, I. and Cesaro, M. C. and Harris, R. and Smith Finley, J., (eds.), Situating the Uyghurs between China and Central Asia.. Aldershot: Ashgate, pp 69-88.
Harris, Rachel (2001) 'Cassettes, Bazaars and Saving the Nation: the Uyghur Music Industry in Xinjiang, China'. In: Craig, Tim and King, Richard, (eds.), Global Goes Local: Popular Culture in Asia. University of British Columbia Press (Vancouver), pp 265-83.
Harris, Rachel (2014) 'Internet rumours and the changing Uyghur religious soundscape: the case of the Snake-Monkey Woman' In: Islamic Soundscapes of China, 10 January 2014, SOAS, University of London.
Harris, Rachel (2012) 'The Geographies of Ritual Practice in Rural Uyghur Society' In: Musical Geographies of Central Asia, 16-18 May 2012, SOAS, University of London.
Harris, Rachel (2015) 'Review: The Sacred Routes of Uyghur History
'. China Quarterly. [Forthcoming]
Harris, Rachel (2009) 'Aq Beliq. London Uyghur Ensemble.'.
Harris, Rachel (2012) 'Borderlands: Wu Man and Master Musicians from the Silk Route'.
Han, Enze and Palmer, James and Barnett, Robert and Bequelin, Nicholas and Millward, James A. and Harris, Rachel and Leibold, James and Bulag, Uradyn E. and Hill, Nathan and Sperling, Elliot and Shakya, Tsering and Yeh, Emily T. (2014) 'Are ethnic tensions on the rise in China? A Chinafile conversation'.
Harris, Rachel (2009) 'Lessons for Schools, 1: China. The production of melody in Chinese teahouse music: “adding flowers to the skeleton”'.
Harris, Rachel (2005) 'Xinjiang Uyghur Autonomous Region'.
Harris, Rachel (2004) 'Mäjnun: classical traditions of the Uyghurs'.
Harris, Rachel and Muhpul, Y. (2002) 'Music of the Uyghurs'.
Harris, Rachel (2001) 'Popular music of the Uyghurs'.
Harris, Rachel (2000) 'Uyghur Musicians from Xinjiang: Music from the Oasis towns of Central Asia'.
This list was last generated on Saturday, 20th January 2018, 19:25 Europe/London.