SOAS University of London

Centre for Creative Industries, Media and Screen Studies

Dr Michael W. Thomas

BA (SOAS), MA (UCL), PhD (SOAS)
  • Teaching
  • Research
  • Publications

Overview

Michael W Thomas
Centre for Creative Industries, Media and Screen Studies

Postdoctoral Research Fellow

Name:
Dr Michael W. Thomas
Email address:
Internal Supervisors

Biography

Born and bred in London to a Welsh father and a mother of mixed Polish, English and German descent, it was through family connections that I first travelled to Ethiopia in 2010 as part of a gap year. I quickly fell in love with the people I met and the cultures I experienced in Ethiopia, early on deciding to commit myself to this place where my heart had found a home. Coincidentally, my deferred entry to SOAS as an undergraduate student later that year on the Development Studies and African Studies BA required me to learn an African language and, to my good fortune, Amharic was on offer.

Learning Amharic opened up many opportunities for me in Ethiopia and in my studies, none more significant than being able to understand the Amharic films that are ubiquitous in the movie theatres across Addis Ababa. It was my interest in Amharic cinema, encouraged by Professor Lindiwe Dovey during my BA, which led me to research the films of the Ethiopian born, US based independent filmmaker Haile Gerima during this time. Lindiwe also took me on as the Ethiopian Film Advisor for Film Africa 2012 and recommended I contribute to the Journal of African Cultural Studies’ first “contemporary conversations” section dedicated to the 2009 film The Athlete.

After completing my MA in Film Studies at UCL, I resumed my studies at SOAS under Lindiwe Dovey’s supervision for my PhD. My doctoral thesis (2019) investigates notions of a culturally specific Ethiopian melodramatic imagination and its impacts on the system of genres in the Amharic film industry. During my time as a PhD student at SOAS I worked with Dr. Alessandro Jedlowski and Prof. Aboneh Ashagrie in the co-editing of the first volume dedicated to the study of film and screen media in Ethiopia and the wider Horn of Africa region entitled, Cine-Ethiopia: The History and Politics of Film in the Horn of Africa (2018).

I am currently a Postdoctoral Research Fellow in Ethiopian Screen Worlds on the ERC-funded project “African Screen Worlds: Decolonising Film and Screen Studies”. This project allows me to further my research interests in the cinemas of Ethiopia and challenges us to address the Euro-American bias of mainstream Film and Screen Studies. Most recently, I have begun work on a few fictional film projects and as part of the postdoc I am also directing a documentary relating to my research. Please see www.screenworlds.org for more information on the project and I welcome anyone interested in the cinemas of Ethiopia and the Horn of Africa to get in touch.

Teaching

Research

My research analyses the trends and themes in Ethiopian (Amharic) Cinema based around a comprehensive historical and ethnographic study of film production, distribution and exhibition in Ethiopia. 

Despite Ethiopia’s rich and long relationship with cinema, studies on the contemporary and booming video-film industry or on the committed development of film in the 70s and 80s by the Marxist Derg regime are practically non-existent apart from a couple of less scholarly works recently published in Amharic.

The aim of this research is, therefore, to highlight crucial developments within the history of cinema in Ethiopia. As the Ethiopian context has been mostly overlooked, the study will set out to weave together a contextual criticism along with formalist analysis and close readings of selected film and video texts. This country-specific focus, moving from the earliest days to the contemporary moment, will not just engage in close analysis of films and history, but also consider the role of culture, people's taste and desires and cinema-going practices. With a particular focus on certain important films as markers in technical change (ie. From 35mm film, to analogue video-films and finally to digital video-films) I explore how cultural, social and political sentiments are reflected on the big-screen. Crucially, cinema will be read as a symptom of modernization and urbanisation and, therefore, as a catalyst where local and global desires meet.

Publications

Articles

Jelowski, Alessandro and Thomas, Michael W. (2017) 'Representing 'otherness' in African popular media: Chinese characters in Ethiopian video-films'. Journal of African Cultural Studies, (29) 1, pp 63-80.

Thomas, Michael W. (2015) 'The Local Film Sensation in Ethiopia: Aesthetic Comparisons with African Cinema and Alternative Experiences'. Black Camera, (7) 1, pp 17-41.

Edited Books or Journals

Thomas, Michael W. and Jedlowski, Alessandro and Ashagrie, Aboneh, (eds.), (2018) Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. East Lansing, Michigan, United States: Michigan State University Press. (African Humanities and the Arts).

Book Chapters

Thomas, Michael W and Jedlowski, Alessandro and Ashagrie, Aboneh (2018) 'Introduction'. Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. Michigan University Press.

Thomas, Michael W. (2018) 'From Yeseytan Bet-Devil's House to 7D: Mapping Cinema's Multidimensional Manifestations in Ethiopia from Its Inception to Contemporary Developments'. In: Thomas, Michael W. and Jedlowski, Alessandro and Ashagrie, Aboneh, (eds.), Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. East Lansing, Michigan, United States: Michigan State University Press, pp 1-26.

Thomas, Michael W. (2018) 'Whether to Laugh or to Cry? Explorations of Genre in Amharic Fiction Feature Films'. In: Thomas, Michael W. and Jedlowski, Alessandro and Ashagrie, Aboneh, (eds.), Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. East Lansing, Michigan, United States: Michigan State University Press, pp 93-118.

Thomas, Michael W. (2018) 'Behailu Wassie (scriptwriter and director), interviewed by Michael W. Thomas'. In: Thomas, Michael W. and Jedlowski, Alessandro and Ashagrie, Aboneh, (eds.), Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. East Lansing: Michigan State University Press, pp 239-248.

Thomas, Michael W. (2014) 'Harvest 3000 Years/Mïrt Sost Shi Amät (Haile Gerima, 1976): A Revolutionary Ethiopian Film'. Africa's Lost Classics: New Histories of African Cinema. Legenda: Modern Humanities Research Association and Maney Publishing, pp 182-189.

Conference Items

Thomas, Michael W. (2020) 'Toolkit: Ethiopia and Amharic Cinema' In: Decolonising Film and Screen Studies Nigeria Workshop, 16-18 March 2020, University of Lagos.

Book Reviews

Thomas, Michael W. (2017) 'Nollywood: The Creation of Nigerian Film Genres.'. Bulletin of the School of Oriental and African Studies, (80) 3, pp xxviii -375.

Opinion Pieces / Media / Blogs

Dovey, Lindiwe and Thomas, Michael W. (2020) Reflections on Creating Film Toolkits to Decolonise Academia and the Film Industry.

Thomas, Mike (2015) Ethiopia in Transition at Film Africa 2015.

Other

Thomas, Michael W. (2016) 'Price of Love dir. by Hermon Hailay (review)' African Studies Review, 59.

Thomas, Michael W. (2013) 'አትሌቱ - The Athlete: an Ethiopian voice, a universal appeal' Journal of African Cultural Studies, 25.

 

This list was last generated on Sunday, 27th September 2020, 23:51 Europe/London.