Music of the Jews of Arab Lands

Key information

Start date
End date
Year of study
Year 2, Year 3 or Year 4
Duration
Term 1
Module code
155800074
FHEQ Level
5
Credits
15
Department
Department of Music

Module overview

Exile has been the defining characteristic of Jewish culture for most of Jewish history. Across the Arab world, the Sephardi and so-called Mizrahi Jews developed unique languages, rituals and musical styles over centuries that continued to grow following dramatic expulsions like those in 1492 or following 1948. In turn, Jewish musicians often shaped the soundworlds of their host cultures even as they continued to move across and around the Mediterranean. This class focuses on the itineraries of the Jews of Arab lands, examining the trajectories of musical styles that traveled from Babylonia, Yemen, and medieval Spain, through Livorno, Fez and Baghdad, and continue to live on today in Jerusalem, Casablanca and Brooklyn. We examine the musical framing of diaspora, and how the movement of people changes the way groups come to reframe music as memory. We also consider ritual and text, and the way each shapes intimate and sacred spaces. Thinking about some musical styles that have faded away and some that continue to flourish, we re-centre the Jewish musical experience around its Sephardi/Mizrahi history, with triangular routes of movement and memory.

Objectives and learning outcomes of the module

This module introduces students to the basic concepts in diaspora studies through the lens of Jewish music in the Arab world. In the process, students will be able to:

  • Analyze the structure and style of some of the most important musical genres of the Middle East and North Africa
  • Describe the itineraries of Jewish languages, rituals and instruments
  • Differentiate between sacred, traditional and popular music in the modern Middle East
  • Explain the circumstances under which music affects the civic status of religious minorities

Workload

2 hours per week

Scope and syllabus

Each session traces the itinerary of musicians to and from the Arabic-speaking world, tracing major events in Jewish history through musical, ritual and textual interventions:

  1. Babylonia – Baghdad – Givatayim
    (the Talmud to Judeo-Arabic)
  2. Basra – Be’er Yaakov – Hatikvah
    (remixing the oud)
  3. Mawza – Sana'a – Kerem HaTeimanim
    (Shabazi’s liturgical poetry)
  4. Aden – Addis Ababa – London
    (Trade, Empire and Torah)
  5. Aleppo – Brooklyn/Jerusalem
    (Pizmonim and Bakkashot)
  6. Alexandria – Cairo – Ashdod
    (Cosmopolitanism and the Geniza)
  7. Oran – Marseille – Montreal
    (Francophone cosmopolitanism)
  8. Livorno – Djerba – Netivot
    (Sainthood and Pilgrimage)
  9. Granada – Tetouan – Bat Yam
    (Ladino pathways)
  10. Fez – Paris – Netanya
    (Mobility and class)

     

Method of assessment

  • One 800-word essay: song reaction essay (worth 30%)
  • One 2,000-word essay or 12-minute portfolio: liner notes (worth 70%)

 

Convenor(s)

Dr Ilana Webster-Kogen

Disclaimer

Important notice regarding changes to programmes and modules