SOAS University of London

School of Arts

Caspar Melville

PhD (London)
  • Overview
  • Teaching
  • Research
  • Publications


Caspar Melville
Department of Music

Lecturer in Global Creative and Cultural Industries

School of Arts

Lecturer in Global Creative and Cultural Industries

Dr Caspar Melville
Email address:
020 7898 4249
SOAS University of London
Thornhaugh Street, Russell Square, London WC1H 0XG
Russell Square: College Buildings
Office No:
Office Hours:
On research leave for terms 2&3


I was born and raised in London, and started my career as a music journalist, writing for the independent black music press – Blues & Soul, Touch, Urb and Jazzid – and freelancing for other publications such as The Village Voice and The Sunday Telegraph. I spent eight years living in San Francisco in the 1990s, during which time I worked a columnist, DJ, radio presenter and club promoter, and helped start a short-lived jazz magazine, On The One. Back in London I worked as Media Editor and then Executive Editor at the online journal openDemocracy for five years. Before joining SOAS, in September 2013, I worked for eight years for the charity the Rationalist Association, where I was  the editor of New Humanist magazine and the charity’s chief executive. My first book Taking Offence (Seagull books/Index on Censorship) was published in 2009.

I have a BA in American Studies (Literature) from Sussex University and an MA and PhD in Media and Communications from Goldsmiths College, University of London. My thesis – London Underground The Multicultural Routes of London’s Dance Music Cultures – explored issues of race, space identity and belonging in the interracial clubs of London, 1965-1998.


Programmes Convened
Courses Taught
PhD Students supervised
  • Amin Hashemi, Discourses in Popular Music of Post-Revolution
  • Helen Glaister, Collecting in Public and Private: The Ionides Collection of Chinese Export Porcelain, 1920-1970


My main research interests include

• Afro-diasporic popular music: The production, consumption and circulation of “black” music (music of African origin), generic change, music in everyday life, dance and antiphony, The Black Atlantic, circum-Atlantic creative practice
• The history and cartography of genre: jazz, hip hop, Jungle, Grime
• The distinct artistic practices of the city, London in particular
• Ideologies of race and identity
• The history and future of cultural studies and critical theory
• Post-digital media - in particular issues of ownership, work and ideologies of utopia

A secondary area of interest involves the philosophical utility of reason, the scientific method, contemporary religion and non-religion, and free speech and offence


Book Chapters

Melville, Caspar (2017) 'Process as Outcome: Research Across Borders.' In: Shiach, Morag and Virani, Tarek, (eds.), Cultural Policy, Innovation and the Creative Economy: Creative Collaborations in Arts and Humanities Research. Basingstoke: Palgrave Macmillan, pp. 179-188.

Melville, Caspar (2015) 'Strange Routes: "Dancing Girl": Flows, Formats and Fortune in Music.' In: Harris, Rachel and Pease, Rowan, (eds.), Pieces of the Musical World: Sounds and Cultures. Abingdon; New York: Routledge, pp. 209-226.


Melville, Caspar (2017) 'Valuing Tradition: Mali’s jeliw, European publishers and Copyright.' Journal of World Popular Music. (Forthcoming)

Melville, Caspar (2014) 'The Politics of Everyday life: Why We Still Need Cultural Studies.' New Humanist magazine, 118 (3).

This list was generated on Thu Jul 27 03:15:00 2017 BST.