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Lucy Durán (Professor of Music at SOAS, University of London) [of Spanish heritage] specializes in the music of Mali and Cuba. She completed her BMus and MMus at Kings College London University and obtained her PhD at SOAS, focusing on Mali’s women singers. She joined SOAS in 1993 where she established the first university courses in the UK on West African music, Cuban music and the kora. From 2000-2013 she presented the BBC Radio 3 weekly programme World Routes, making on-location features about traditional music in many countries including Madagascar, China (Xinjiang), Bolivia, Cuba, Senegal, Mali and Guinea Bissau.
Her research on Mande music of West Africa dates back to the late 1970s when she went to Gambia to study the kora with leading kora player Amadu Bansang Jobarteh. and from 1986 onwards she has been working intensively in southern Mali with some of its most prominent musical families. Her publications include pioneering work on Mali’s women singers, on the music of the Wasulu region, on possible connections between the ngoni and the blues, and on the kora.
In addition to her written publications, much of her output is practice-based. She has made several award-winning documentaries (e.g. the Growing into Music in Malifilms that document how children in specialist musical families learn music through the oral tradition). As a music producer, she has 24 albums to her name, launching the solo careers of Toumani Diabaté, Bassekou Kouyaté and Trio Da Kali, all from Mali, with three Grammy nominations and many awards. Ballaké Sissoko’s international career was launched with her album New Ancient Strings featuring instrumental duets with Toumani Diabaté. She co-produced the award-winning album Ladilikan which features the unprecedented collaboration of the Kronos Quartet with Trio Da Kali.
Durán sees her approach to her production work as collaborative re-imagining of musical heritage. She is particularly concerned with traditions and repertoires in southern Mali that are under-represented, and/or endangered from globalization, jihadism, and rural exodus among other factors.
During 2015-16, with a grant from the British Academy Newton Advanced Fellowship, Durán supervised a multi-media project on Afromexican music from the Costa Chica, Oaxaca, Mexico resulting in a documentary film SOMOS NEGROS DE LA COSTA and an album, FORONTO - AFROAXACA, which she produced with local musicians and two of the members of Trio Da Kali in a mobile studio on a farm outside Llano Grande. The album was released in August 2019 and two tracks were co-opted by the Mexican government for the campaign to raise awareness of the 2020 census which for the first time included a category for Afromexicans to self-identify and be counted.
Her recent film, Tegere Tulon: handclapping songs of Mali (2018) co-directed by Malian filmmaker Moustapha Diallo (Macina Film) is a unique portrayal of the vibrant but endangered culture of girls’ handclapping songs of Mali, an enchanting tradition that is largely undocumented. The film was commissioned for the Kronos Quartet's 50 For The Future educational project, with original compositions by the singer Hawa Kassé Mady Diabaté. The film and songs were premiered at the Kronos Quartet’s festival in San Francisco, 2019. Four more films by Durán and Diallo have emerged from this project, premiered in the Kronos Festival 2021. They are also currently working on a new film, Nama Sira – In the footsteps of Nama, documenting the enigmatic masked figure known as nama [hyena] in the remote village of Golobladji, and its relationship to the agricultural cycle and to celebration of youth.
My research focuses primarily on music from/within the Mande cultural region and its diaspora, and is driven by my interest in promoting better understanding of and safeguarding oral traditions from the region. My outputs have therefore included radio documentaries (BBC Radio 3), film (Growing into Music in Mali) and CDs (various) released through the world music industry, as well as written outputs in both academic and non-academic journals. I am interested in the following topics with reference to the Mande world: gender and music; the role of women singers; songs as story and history; notions of musical mastery; weddings as a locus of performance and contestation; methods of oral transmission; creativity and music production in the recording studio; local forms of 'popular' music; conversations with the blues. In addition, I work on (and teach) the popular music of Cuba, and its ongoing connections across the Atlantic.
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Durán, Lucy and Topp-Fargion, Janet and Wallace, Marion (2015) 'Crossings: Word and Music across the Atlantic'. In: Durán, Lucy and Topp-Fargion, Janet and Wallace, Marion, (eds.), West Africa : word, symbol, song. London: British Library, pp 72-99.
Duran, Lucy (2015) 'Soliyo: song and memory in Mande music'. In: Harris, Rachel and Pease, Rowan, (eds.), Pieces of the musical world: the study of music in culture.. Abingdon, Oxon: Routledge, pp 27-44.
Duran, Lucy (2006) 'Mali: gold dust by the river'. In: Broughton, Simon and Ellingham, Mark and Lusk, Jon, (eds.), The Rough Guide to World Music. 3rd edition. Africa and the Middle East. London: Penguin, pp 219-238.