Emerita Reader in Film and Media Studies
Academic Staff, Japan Research Centre
Academic Staff, Centre of Korean Studies
- Dr Isolde Standish
- Email address:
- SOAS University of London
Thornhaugh Street, Russell Square, London WC1H 0XG
- Russell Square: College Buildings
As a graduate of (Hollywood and European) Film and Media Studies in 1984, I found myself seeking new directions, both academic and geographical, to launch my post-graduate studies. As chance would have it, I found a teaching post in Japan where I discovered a fascinating and often different way of representing the world through cinema. My curiosity then led me to Korea and, more recently, is taking me into World Cinema.
My writing centres on the history of Japanese and Korean Cinema. My first book, Myth and Masculinity in the Japanese Cinema: Towards a Political Reading of the Tragic Hero (Routledge/Curzon 2000), explored the ‘homosocial’ codes underpinning Japanese films from the war-retro and yakuza genres as a site of audience male pleasure. My second book, A New History of Japanese Cinema: a Century of Narrative Film (Continuum 2005) took, as its starting point, the view that the auteur theory was inadequate to explain how Japanese cinema functioned within cultural life. My third book, Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s (Continuum 2011) locates the Japanese avant-garde film movement as a dissentient intellectual group of filmmakers. My fourth book is Myth and Masculinity in the Japanese Cinema (Routledge 2015).
For help in contacting SOAS academics and advice on services to business and the community, please contact SOAS Enterprise on +44(0)20 7898 4837 or email firstname.lastname@example.org.
For all press and media enquiries please call +44 (0)20 7898 4135 or email email@example.com
Standish, Isolde (2011) Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s. New York: Continuum International Publishing Group.
Standish, Isolde (2005) A New History of Japanese Cinema: A Century of Narrative Film. New York: Continuum.
Standish, Isolde (2000) Myth and Masculinity in the Japanese Cinema: Towards a Political Reading of the Tragic Hero. London: Curzon.
Standish, Isolde (2015) 'The Revolutionary Triptych'. Kiju Yoshida: Love and Anarchism, pp 29-43.
Standish, Isolde (2012) 'The Ephemeral as Transcultural Aesthetic: a Contextualization of the Early Films of Ozu Yasujiro'. Journal of Japanese and Korean Cinema, (4) 1, pp 3-14.
Standish, Isolde (2011) 'The jidaigeki television series: myth, iteration and the domestication of the samurai hero'. Japan Forum, (23) 3, pp 431-440.
Standish, Isolde (2010) 'Night and Fog in Japan: Fifty Years On'. Journal of Japanese and Korean Cinema, (1) 2, pp 143-155.
Standish, Isolde (2006) 'Film and Narrative in the Yakuza Genre'. Cinemaya, (1) 2, pp 20-23.
Standish, Isolde (2005) 'Chushingura and the Japanese Studio System'. Japan Forum, (17) 1, pp 69-86.
Standish, Isolde (2005) 'Mediators of Modernity: 'Photo-Interpreters' in Japanese Silent Cinema'. Oral Tradition, (20) 1, pp 93-110.
Standish, Isolde (1993) 'Korean Cinema and the New Realism: Text and Context'. East-West Film Journal, (7) 2, pp 54-80.
Standish, Isolde, (ed.), (2014) Journal of Japanese and Korean Cinema Volume 6 Number 1 May 2014. Oxford: Routledge.
Standish, Isolde (2007) 'Transgression and the Politics of Porn. Oshima Nagisa's In the Realm of the Senses (1976)'. In: Phillips, A. and Stringer, J., (eds.), Japanese Cinema: Texts and Contexts. Abingdon: Routledge, pp 217-228.
Standish, Isolde (1998) 'Akira: Postmodernism and Resistance'. In: Martinez, D.P., (ed.), The Worlds of Japanese Popular Culture: Gender Shifting Boundaries and Global Culture. Cambridge: Cambridge University Press, pp 56-74.
This list was last generated on Tuesday, 24th April 2018, 22:09 Europe/London.