Music in the Mande world; Music of Mali, Guinea, Guinea Bissau; gender and music in West Africa; popular musics of Atlantic Africa; childhood music learning in West Africa; Cuban music, especially son and rumba; radio as a medium; and the world music industry.
Music of southern Africa and the African Horn (Sudan); advocacy ethnomusicology; sound/music, memory and place; forced migration, cultural mapping and borderland identities; human rights and development
History and theory of Indian classical music; dhrupad; Newar music of Nepal; historical ethnomusicology; analysis of musical performance; cognitive approaches to music; music and meaning; music and religion
Music of South Asia; Hindustani classical music; historical ethnomusicology; cultural history; historical musicology and musical aesthetics; lyric, song, and musical literature; music and gender; music and religion; history of emotions
Ethnomusicology; anthropology; Korean music; music traditions in Kyrgyzstan, Nepal, Thailand, and Siberia; studies of religion; composition; education; shamanism; early keyboard instruments, players and restorers
Kadialy Kouyate comes from a very large African musical family of dialis, who are well known in Mandinka history. Since 2005 he has been teaching the Kora to undergraduate and postgraduate students at SOAS.
Rowan Pease is the Editorial Manager for SOAS journals. She learnt Chinese at the Chinese University of Hong Kong and Xiamen University, China, before undertaking postgraduate study in ethnomusicology at SOAS. She is also a senior teaching fellow in the SOAS music department.
Sanju Sahai represents the distinguished lineage of tabla players and teachers from Banaras. He performs internationally as a soloist and in a variety of ensembles, and has been teaching tabla at SOAS for many years.